Two New Novels Investigate What Makes Magic, What Is Real and Imagined
Meet the 2024 Tiny Desk Contest Winner
What are ‘the Kids’ Thinking These Days? Honor Levy Aims to Tell in ‘My First Book’
Kathleen Hanna on Life as a ‘Rebel Girl,’ and the Joy of Expressing Anger in Public
A 19th-Century Bookbinder Struggles With Race and Identity in ‘The Library Thief’
Beautifully Acted ‘Shardlake’ Brings 500-Year-Old Tudor Intrigue Into the Present Day
Steve Albini, Iconoclastic Rock Musician and Engineer, Dies at 61
Katy Perry’s Own Mom Fell for Her Met Gala AI Photo. Do You Know What to Look for?
‘Zillow Gone Wild’ Brings Wacky Real Estate Listings to HGTV
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FM","link":"/"}},"arts_13958092":{"type":"posts","id":"arts_13958092","meta":{"index":"posts_1591205157","site":"arts","id":"13958092","score":null,"sort":[1715971194000]},"guestAuthors":[],"slug":"new-novels-pages-of-mourning-morrison-cemetery-untold-stories-alvarez","title":"Two New Novels Investigate What Makes Magic, What Is Real and Imagined","publishDate":1715971194,"format":"standard","headTitle":"Two New Novels Investigate What Makes Magic, What Is Real and Imagined | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cfigure class=\"wp-block-image size-large\">\u003c/figure>\n\u003cp>In an enchanted world, where does mystery begin? Two authors pose this question in new novels out this spring.\u003c/p>\n\u003cp>[aside postid='arts_13957814']In \u003cem>Pages of Mourning\u003c/em> by the Mexican magical realism interrogator-author Diego Gerard Morrison, the protagonist is a Mexican writer named Aureliano Más II who is at war with his memory of familial sorrow and — you guessed it — magical realism. And the protagonist Alma Cruz in Julia Alvarez’s latest novel, \u003cem>The Cemetery of Untold Stories, \u003c/em>is also a writer. Alma seeks to bury her unpublished stories in a graveyard of her own making, in order to find peace in their repose — and meaning from the vulnerability that comes from unheard stories.\u003c/p>\n\u003cp>Both of these novels, one from an emerging writer and one from a long celebrated author, walk an open road of remembering love, grief, and fate. Both find a destiny not in death, but in the reality of abandonment and in dreams that come from a hope for reunion. At this intersection of memory and meaning, their storytelling diverges.\u003c/p>\n\u003ch3>‘Pages of Mourning’\u003c/h3>\n\u003cp>\u003cem>Pages of Mourning,\u003c/em> out this month, is set in 2017, three years after 43 students disappear from the Ayotzinapa Rural Teachers’ College after being abducted in \u003ca href=\"https://en.wikipedia.org/wiki/Iguala\">Iguala\u003c/a>, Guerrero, Mexico. The main character, Aureliano, is attempting to write the Great Mexican Novel that reflects this crisis and his mother’s own unexplained disappearance when he was a boy. He’s also struggling with the idea of magical realism as literary genre — he holds resentment over being named after the protagonist in \u003cem>100 Years of Solitude,\u003c/em> which fits squarely within it. He sets out on a journey with his maternal aunt to find his father, ask questions about his mother, and deal with his drinking problem and various earthquakes.\u003c/p>\n\u003cp>[aside postid='arts_13956128']Morrison’s voice reflects his \u003ca href=\"https://www.disonare.com/acerca\">work as a writer, editor and translator \u003c/a>based in Mexico City, who seeks to interrogate “the concept of dissonance” through blended art forms such as poetry and fiction, translation and criticism. His story could be seen as an archetype, criticism, or a reflection through linguistic cadence on Pan American literature. His novel name drops and alludes to American, Mexican and Latin American writers including Walt Whitman, Juan Rulfo, Gabriel Garcia Márquez — and even himself. There’s an earnest use of adjectives to accompany the lived dissonance of his characters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s nothing magical, in the genre sense, in Morrison’s story. There are no magical rivers, enchanted messages, babies born with tails. Morrison’s dissonance is real — people get disappeared, they suffer addictions, writer’s block, crazy parents, crazier shamans, blank pages, corruption, the loss of loved ones. In this depiction of real Pan-American life — because all of this we are also explicitly suffering up North — Morrison finds his magic. His Aureliano is our Aureliano. He’s someone we know. Probably someone we loved — someone trying so hard to live.\u003c/p>\n\u003ch3>\u003cem>The Cemetery of Untold Stories\u003c/em>\u003c/h3>\n\u003cp>From the author of \u003cem>In the Time of the Butterflies\u003c/em> and \u003cem>How the García Girls Lost Their Accents\u003c/em>, \u003cem>The Cemetery of Untold Stories\u003c/em> is Julia Alvarez’s seventh novel. It’s a story that’s both languorous and urgent in conjuring a world from magical happenings. The source of these happenings, in a graveyard in the Dominican Republic, is the confrontation between memories and lived agendas. Alvarez is an acclaimed storyteller and teacher, a writer of poetry, non-fiction and children’s books, \u003ca href=\"https://www.arts.gov/honors/medals/julia-alvarez\">honored in 2013 with the National Medal of Arts\u003c/a>. She continues her luminous virtuosity with the story of Alma Cruz.\u003c/p>\n\u003cp>[aside postid='arts_13957998']Alma, the writer at the heart of \u003cem>The Cemetery of Untold Stories\u003c/em>, has a goal — not to go crazy from the delayed promise of cartons of unpublished stories she has stored away. When she inherits land in her origin country — the Dominican Republic — she decides to retire there, and design a graveyard to bury her manuscript drafts, along with the characters whose fictional lives demand their own unrequited recompense. Her sisters think she’s nuts, and wasting their inheritance. Filomena, a local woman Alma hires to watch over the cemetery, finds solace in a steady paycheck and her unusual workplace.\u003c/p>\n\u003cp>Alma wants peace for herself and her characters. But they have their own agendas and, once buried, begin to make them known: They speak to each other and Filomena, rewriting and revising Alma’s creativity in order to reclaim themselves.\u003c/p>\n\u003cp>In this new story, Alvarez creates a world where everyone is on a quest to achieve a dream — retirement, literary fame, a steady job, peace of mind, authenticity. Things get complicated during the rewrites, when ambitions and memories bump into the reality of no money, getting arrested, no imagination, jealousy, and the grace of humble competence. Alma’s sisters, Filomena, the townspeople — all make a claim over Alma’s aspiration to find a final resting place for her memories. Alvarez sprinkles their journey with dialogue and phrases in Spanish and one — “\u003cem>no hay mal que por bien no venga\u003c/em>” (there is goodness in every woe) — emerges as the oral talisman of her story. There is always something magical to discover in a story, and that is especially true in Alvarez’s landing place.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.tcginsights.com/\">\u003cem>Marcela Davison Avilés\u003c/em>\u003c/a>\u003cem> is a writer and independent producer living in Northern California.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"‘Pages of Mourning’ and ‘The Cemetery of Untold Stories’ both walk an open road of remembering love, grief, and fate.","status":"publish","parent":0,"modified":1715971222,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":931},"headData":{"title":"New Books: Diego Gerard Morrison, Julia Alvarez Explore Magic | KQED","description":"‘Pages of Mourning’ and ‘The Cemetery of Untold Stories’ both walk an open road of remembering love, grief, and fate.","ogTitle":"Two New Novels Investigate What Makes Magic, What Is Real and Imagined","ogDescription":"","ogImgId":"","twTitle":"Two New Novels Investigate What Makes Magic, What Is Real and Imagined","twDescription":"","twImgId":"","socialTitle":"New Books: Diego Gerard Morrison, Julia Alvarez Explore Magic %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Two New Novels Investigate What Makes Magic, What Is Real and Imagined","datePublished":"2024-05-17T11:39:54-07:00","dateModified":"2024-05-17T11:40:22-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Marcela Davison Avilés, NPR","nprStoryId":"1250919110","nprHtmlLink":"https://www.npr.org/2024/05/15/1250919110/the-cemetery-of-untold-stories-pages-of-mourning-book-review","nprRetrievedStory":"1","nprPubDate":"2024-05-15T06:00:10-04:00","nprStoryDate":"2024-05-15T06:00:10-04:00","nprLastModifiedDate":"2024-05-15T06:00:10-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13958092/new-novels-pages-of-mourning-morrison-cemetery-untold-stories-alvarez","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-block-image size-large\">\u003c/figure>\n\u003cp>In an enchanted world, where does mystery begin? Two authors pose this question in new novels out this spring.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957814","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In \u003cem>Pages of Mourning\u003c/em> by the Mexican magical realism interrogator-author Diego Gerard Morrison, the protagonist is a Mexican writer named Aureliano Más II who is at war with his memory of familial sorrow and — you guessed it — magical realism. And the protagonist Alma Cruz in Julia Alvarez’s latest novel, \u003cem>The Cemetery of Untold Stories, \u003c/em>is also a writer. Alma seeks to bury her unpublished stories in a graveyard of her own making, in order to find peace in their repose — and meaning from the vulnerability that comes from unheard stories.\u003c/p>\n\u003cp>Both of these novels, one from an emerging writer and one from a long celebrated author, walk an open road of remembering love, grief, and fate. Both find a destiny not in death, but in the reality of abandonment and in dreams that come from a hope for reunion. At this intersection of memory and meaning, their storytelling diverges.\u003c/p>\n\u003ch3>‘Pages of Mourning’\u003c/h3>\n\u003cp>\u003cem>Pages of Mourning,\u003c/em> out this month, is set in 2017, three years after 43 students disappear from the Ayotzinapa Rural Teachers’ College after being abducted in \u003ca href=\"https://en.wikipedia.org/wiki/Iguala\">Iguala\u003c/a>, Guerrero, Mexico. The main character, Aureliano, is attempting to write the Great Mexican Novel that reflects this crisis and his mother’s own unexplained disappearance when he was a boy. He’s also struggling with the idea of magical realism as literary genre — he holds resentment over being named after the protagonist in \u003cem>100 Years of Solitude,\u003c/em> which fits squarely within it. He sets out on a journey with his maternal aunt to find his father, ask questions about his mother, and deal with his drinking problem and various earthquakes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956128","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Morrison’s voice reflects his \u003ca href=\"https://www.disonare.com/acerca\">work as a writer, editor and translator \u003c/a>based in Mexico City, who seeks to interrogate “the concept of dissonance” through blended art forms such as poetry and fiction, translation and criticism. His story could be seen as an archetype, criticism, or a reflection through linguistic cadence on Pan American literature. His novel name drops and alludes to American, Mexican and Latin American writers including Walt Whitman, Juan Rulfo, Gabriel Garcia Márquez — and even himself. There’s an earnest use of adjectives to accompany the lived dissonance of his characters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s nothing magical, in the genre sense, in Morrison’s story. There are no magical rivers, enchanted messages, babies born with tails. Morrison’s dissonance is real — people get disappeared, they suffer addictions, writer’s block, crazy parents, crazier shamans, blank pages, corruption, the loss of loved ones. In this depiction of real Pan-American life — because all of this we are also explicitly suffering up North — Morrison finds his magic. His Aureliano is our Aureliano. He’s someone we know. Probably someone we loved — someone trying so hard to live.\u003c/p>\n\u003ch3>\u003cem>The Cemetery of Untold Stories\u003c/em>\u003c/h3>\n\u003cp>From the author of \u003cem>In the Time of the Butterflies\u003c/em> and \u003cem>How the García Girls Lost Their Accents\u003c/em>, \u003cem>The Cemetery of Untold Stories\u003c/em> is Julia Alvarez’s seventh novel. It’s a story that’s both languorous and urgent in conjuring a world from magical happenings. The source of these happenings, in a graveyard in the Dominican Republic, is the confrontation between memories and lived agendas. Alvarez is an acclaimed storyteller and teacher, a writer of poetry, non-fiction and children’s books, \u003ca href=\"https://www.arts.gov/honors/medals/julia-alvarez\">honored in 2013 with the National Medal of Arts\u003c/a>. She continues her luminous virtuosity with the story of Alma Cruz.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957998","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Alma, the writer at the heart of \u003cem>The Cemetery of Untold Stories\u003c/em>, has a goal — not to go crazy from the delayed promise of cartons of unpublished stories she has stored away. When she inherits land in her origin country — the Dominican Republic — she decides to retire there, and design a graveyard to bury her manuscript drafts, along with the characters whose fictional lives demand their own unrequited recompense. Her sisters think she’s nuts, and wasting their inheritance. Filomena, a local woman Alma hires to watch over the cemetery, finds solace in a steady paycheck and her unusual workplace.\u003c/p>\n\u003cp>Alma wants peace for herself and her characters. But they have their own agendas and, once buried, begin to make them known: They speak to each other and Filomena, rewriting and revising Alma’s creativity in order to reclaim themselves.\u003c/p>\n\u003cp>In this new story, Alvarez creates a world where everyone is on a quest to achieve a dream — retirement, literary fame, a steady job, peace of mind, authenticity. Things get complicated during the rewrites, when ambitions and memories bump into the reality of no money, getting arrested, no imagination, jealousy, and the grace of humble competence. Alma’s sisters, Filomena, the townspeople — all make a claim over Alma’s aspiration to find a final resting place for her memories. Alvarez sprinkles their journey with dialogue and phrases in Spanish and one — “\u003cem>no hay mal que por bien no venga\u003c/em>” (there is goodness in every woe) — emerges as the oral talisman of her story. There is always something magical to discover in a story, and that is especially true in Alvarez’s landing place.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.tcginsights.com/\">\u003cem>Marcela Davison Avilés\u003c/em>\u003c/a>\u003cem> is a writer and independent producer living in Northern California.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958092/new-novels-pages-of-mourning-morrison-cemetery-untold-stories-alvarez","authors":["byline_arts_13958092"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_769","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13958093","label":"arts_140"},"arts_13957969":{"type":"posts","id":"arts_13957969","meta":{"index":"posts_1591205157","site":"arts","id":"13957969","score":null,"sort":[1715877349000]},"guestAuthors":[],"slug":"2024-tiny-desk-contest-winner-sacramento-philharmonik","title":"Meet the 2024 Tiny Desk Contest Winner","publishDate":1715877349,"format":"aside","headTitle":"Meet the 2024 Tiny Desk Contest Winner | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>https://www.youtube.com/watch?v=crgaJEmFPBI\u003c/p>\n\u003cp>Nearly 7,000 independent artists entered this year’s Tiny Desk Contest, NPR Music’s annual search for the next great undiscovered artist. Earlier today, \u003ca href=\"https://www.npr.org/2024/05/15/1251378746/tiny-desk-contest-2024-winner-announcement\">\u003cem>Morning Edition revealed the winner\u003c/em>\u003c/a>: a Sacramento producer, singer, rapper and multi-instrumentalist who performs as The Philharmonik. As he soaks in his big win and prepares to travel to NPR’s headquarters in Washington, D.C., to perform a Tiny Desk concert, songwriter Christian Gates joins Juana Summers to share the story behind his winning entry.\u003c/p>\n\u003cp>One of the requirements when submitting to the Tiny Desk Contest is that each video must feature a desk. (It shows the judges that artists are prepared to play behind the real Tiny Desk; plus, it’s fun.) Gates says that desks usually make him feel as if he’s deviating from his own path by working for someone else. Eventually, he decided he needed to work at his \u003cem>own\u003c/em> desk. \u003c/p>\n\u003cp>In a YouTube comment on his video, Gates shouts out the Sacramento community, which helped him see this vision through when he said he didn’t have a single penny to his name.\u003c/p>\n\u003cp>Gates expands on this comment in his \u003cem>All Things Considered\u003c/em> interview, sharing with Summers that he went through a dark and humbling time last year. While driving for Uber in order to make ends meet, he got into a bad car accident and could no longer work. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I was really scrounging up money for change, to even do shows,” he says. “I had these big visions for shows where I wanted nine people playing with me — but I couldn’t afford it. And as the months went by it got progressively worse. And my other bills started to fall behind, too.”\u003c/p>\n\u003cp>Then, when the Tiny Desk Contest opened, he asked his community for a favor. \u003c/p>\n\u003cp>“I said, hey, I think we could do good in this Contest if we execute this vision — but I really need your guys’ help with this,” Gates explains. “And everybody, absolutely everybody, came through to help me with no hesitation.” \u003c/p>\n\u003cp>Gates says that since winning the Contest, it feels like his life has changed overnight. \u003c/p>\n\u003cp>“I’m glad that I went through the struggle, because [now] this win feels so honest to me, to what I believe in. It’s a reflection of what I’ve worked for,” he shares. “So I’m eternally grateful for everything that I’ve gone through, good and bad.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This summer, Gates and his eight-piece band will headline the 10-city Tiny Desk Contest On The Road tour, including \u003ca href=\"https://www.eventbrite.com/e/npr-music-presents-tiny-desk-contest-on-the-road-lagunitas-petaluma-tickets-884534605817\">a Bay Area stop at Lagunitas Brewing Co. in Petaluma on June 13, with openers Combo Tezeta\u003c/a>. You can get tickets to see The Philharmonik, plus other local Contest entrants, at \u003ca href=\"http://npr.org/tinydeskcontest\">npr.org/tinydeskcontest\u003c/a>. \u003c/p>\n\u003cdiv class=\"npr-transcript\">\n\u003cp>\u003cstrong>Transcript:\u003c/strong>\u003c/p>\n\u003cp>JUANA SUMMERS, HOST: \u003c/p>\n\u003cp>\u003c/p>\u003cp> We have a winner.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF MUSIC)\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Every year, thousands of musicians enter NPR’s Tiny Desk Contest, and this year’s winner was announced today, an artist called The Philharmonik with a song called “What’s It All Mean?”\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) I was told I could be anything that I wanted to be. Work hard so you can make money and fulfill your dreams.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: And here with me now is Christian Gates, the artist behind The Philharmonik. Welcome to ALL THINGS CONSIDERED, and congratulations.\u003c/p>\n\u003cp>\u003c/p>\u003cp>CHRISTIAN GATES: Thank you so much for having me on the show.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Thanks for being here. OK. This is a pretty big day for you, I imagine. How are you feeling?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: I am elated. I’m overwhelmed with joy, just soaking it all in.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Any big plans to celebrate?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. Just making sure the team is ready for us to go to Washington, D.C., and of course, we’re all taking it in. We’re all giving each other high-fives and jumping up in the air. We’re doing a lot. So, you know, we’re just, you know, appreciating the feeling overall.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: First of all, I should say that all of us here in D.C. at NPR are very excited to get to see you all perform. And I just want to say, I love the song. I’ve listened to it about a dozen times at this point, but I want to ask you something about the video that you submitted because it’s also pretty amazing. You and the other musicians are in shirts and ties. You’re in what looks like an office-like setting, and you’re sitting at desks like you’re at work. Talk us through the idea behind the video.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: So originally, it came to me back when I released my album in July of 2023, called “Kironic.” “What’s It All Mean?” was the opening track. And my team and I were discussing a lot of ideas about this character, and this office idea came through, and I realized that was it. This character who’s in the suit, which is me, it’s really just a symbolism for, the work always continues, no matter what you’re doing in life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) Get up. Go to work. Go to sleep, then repeat. You can’t seem to meet needs working hard like machines. Broken hearts torn apart, making sure you’re closed off and avoid getting hurt to preserve your self-worth. What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: The desk was also, like, a huge symbolism. It’s the place of innovation. It’s the place of reflection. It’s also the place of monotony, but either way, the symbolism has a big role in our lives, no matter where we put its significance.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You know, I’ve got to ask you, was there a time at work when you were sitting there at a desk or doing something else and just asking yourself, what’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. So I think that’s the nicer way of putting it. I think – (laughter) – there were most times I was sitting at a desk where I felt like I was deviating from my path, where I just said, I don’t think I should be here. This is not the right desk. I need my own desk.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You wrote a comment that shouts out the Sacramento community, and you say that that’s a community that literally lifted you up to see this vision through when, as you put it, you had not a single penny to your name. Can you say more about that?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Oh, yeah. During (laughter) that time, yes, it was a very humbling experience. It was a very dark moment. I was recently, last year, in a total loss car accident, and I was doing Uber and, you know, doing OK to make my ends meet. But once I got into that crash, I could no longer do Uber. So I was really scrounging up money for change and to even do the shows. I had these big visions for shows where I wanted to put nine people playing for me, but I couldn’t afford it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>So as the months went by, it got progressively worse and worse and worse and worse. And my other bills started to fall behind, too. And so I asked for a very, very big favor and said, hey, I think we could do good in this contest if we execute this vision, but I really need your guys’ help for this. And everybody, absolutely everybody, was no hesitation, came through to help me. And I’m eternally grateful for it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: I mean, that’s such an incredible story. You came from having this car accident to trying to figure out how to put this together. And now you’ve won the Tiny Desk Contest, and you’re coming here to NPR to play at the actual Tiny Desk. How does that feel?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: It feels like it’s overnight, like how my life has changed, but I also know there was a lot of things that I had to go through to get to this point. And I hold it deeply, and I hold it with reverence. And I’m glad that I went through the struggle because this win feels – it feels so honest to me. It feels so honest to what I believe in. It’s a reflection of everything I’ve worked for. And so I’m just eternally grateful for everything that I’ve gone through, good and bad.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: That’s Christian Gates, aka The Philharmonik, the winner of this year’s NPR Tiny Desk Contest. And if you are looking up his music, that is Philharmonik, spelled with a K. You can see the winning video for his song, “What’s It All Mean?” at npr.org. Christian, thank you, and congratulations again.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Thank you for having me on. It’s a pleasure.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What goes up must come down. What goes around comes around. Around the sun…\u003c/p>\n\u003c/div>\n\n","blocks":[],"excerpt":"This year's Tiny Desk Contest winner is The Philharmonik, from Sacramento, with a song called 'What's It All Mean?'","status":"publish","parent":0,"modified":1715877349,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":72,"wordCount":1695},"headData":{"title":"Meet the 2024 Tiny Desk Contest Winner from Sacramento | KQED","description":"This year's Tiny Desk Contest winner is The Philharmonik, from Sacramento, with a song called 'What's It All Mean?'","ogTitle":"Meet the 2024 Tiny Desk Contest Winner from Sacramento","ogDescription":"","ogImgId":"","twTitle":"Meet the 2024 Tiny Desk Contest Winner from Sacramento","twDescription":"","twImgId":"","socialTitle":"Meet the 2024 Tiny Desk Contest Winner from Sacramento %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Meet the 2024 Tiny Desk Contest Winner","datePublished":"2024-05-16T09:35:49-07:00","dateModified":"2024-05-16T09:35:49-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"All Things Considered","nprStoryId":"1251616359","nprHtmlLink":"https://www.npr.org/2024/05/15/1251616359/meet-the-2024-tiny-desk-contest-winner","nprRetrievedStory":"1","nprPubDate":"2024-05-15T17:09:31-04:00","nprStoryDate":"2024-05-15T17:09:31-04:00","nprLastModifiedDate":"2024-05-16T06:09:54-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2024/05/20240515_atc_meet_the_2024_tiny_desk_contest_winner.mp3?d=337&size=5405511&e=1251616359&t=progseg&seg=9&p=2","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957969/2024-tiny-desk-contest-winner-sacramento-philharmonik","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2024/05/20240515_atc_meet_the_2024_tiny_desk_contest_winner.mp3?d=337&size=5405511&e=1251616359&t=progseg&seg=9&p=2","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/crgaJEmFPBI'\n title='//www.youtube.com/embed/crgaJEmFPBI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Nearly 7,000 independent artists entered this year’s Tiny Desk Contest, NPR Music’s annual search for the next great undiscovered artist. Earlier today, \u003ca href=\"https://www.npr.org/2024/05/15/1251378746/tiny-desk-contest-2024-winner-announcement\">\u003cem>Morning Edition revealed the winner\u003c/em>\u003c/a>: a Sacramento producer, singer, rapper and multi-instrumentalist who performs as The Philharmonik. As he soaks in his big win and prepares to travel to NPR’s headquarters in Washington, D.C., to perform a Tiny Desk concert, songwriter Christian Gates joins Juana Summers to share the story behind his winning entry.\u003c/p>\n\u003cp>One of the requirements when submitting to the Tiny Desk Contest is that each video must feature a desk. (It shows the judges that artists are prepared to play behind the real Tiny Desk; plus, it’s fun.) Gates says that desks usually make him feel as if he’s deviating from his own path by working for someone else. Eventually, he decided he needed to work at his \u003cem>own\u003c/em> desk. \u003c/p>\n\u003cp>In a YouTube comment on his video, Gates shouts out the Sacramento community, which helped him see this vision through when he said he didn’t have a single penny to his name.\u003c/p>\n\u003cp>Gates expands on this comment in his \u003cem>All Things Considered\u003c/em> interview, sharing with Summers that he went through a dark and humbling time last year. While driving for Uber in order to make ends meet, he got into a bad car accident and could no longer work. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I was really scrounging up money for change, to even do shows,” he says. “I had these big visions for shows where I wanted nine people playing with me — but I couldn’t afford it. And as the months went by it got progressively worse. And my other bills started to fall behind, too.”\u003c/p>\n\u003cp>Then, when the Tiny Desk Contest opened, he asked his community for a favor. \u003c/p>\n\u003cp>“I said, hey, I think we could do good in this Contest if we execute this vision — but I really need your guys’ help with this,” Gates explains. “And everybody, absolutely everybody, came through to help me with no hesitation.” \u003c/p>\n\u003cp>Gates says that since winning the Contest, it feels like his life has changed overnight. \u003c/p>\n\u003cp>“I’m glad that I went through the struggle, because [now] this win feels so honest to me, to what I believe in. It’s a reflection of what I’ve worked for,” he shares. “So I’m eternally grateful for everything that I’ve gone through, good and bad.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This summer, Gates and his eight-piece band will headline the 10-city Tiny Desk Contest On The Road tour, including \u003ca href=\"https://www.eventbrite.com/e/npr-music-presents-tiny-desk-contest-on-the-road-lagunitas-petaluma-tickets-884534605817\">a Bay Area stop at Lagunitas Brewing Co. in Petaluma on June 13, with openers Combo Tezeta\u003c/a>. You can get tickets to see The Philharmonik, plus other local Contest entrants, at \u003ca href=\"http://npr.org/tinydeskcontest\">npr.org/tinydeskcontest\u003c/a>. \u003c/p>\n\u003cdiv class=\"npr-transcript\">\n\u003cp>\u003cstrong>Transcript:\u003c/strong>\u003c/p>\n\u003cp>JUANA SUMMERS, HOST: \u003c/p>\n\u003cp>\u003c/p>\u003cp> We have a winner.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF MUSIC)\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Every year, thousands of musicians enter NPR’s Tiny Desk Contest, and this year’s winner was announced today, an artist called The Philharmonik with a song called “What’s It All Mean?”\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) I was told I could be anything that I wanted to be. Work hard so you can make money and fulfill your dreams.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: And here with me now is Christian Gates, the artist behind The Philharmonik. Welcome to ALL THINGS CONSIDERED, and congratulations.\u003c/p>\n\u003cp>\u003c/p>\u003cp>CHRISTIAN GATES: Thank you so much for having me on the show.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Thanks for being here. OK. This is a pretty big day for you, I imagine. How are you feeling?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: I am elated. I’m overwhelmed with joy, just soaking it all in.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Any big plans to celebrate?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. Just making sure the team is ready for us to go to Washington, D.C., and of course, we’re all taking it in. We’re all giving each other high-fives and jumping up in the air. We’re doing a lot. So, you know, we’re just, you know, appreciating the feeling overall.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: First of all, I should say that all of us here in D.C. at NPR are very excited to get to see you all perform. And I just want to say, I love the song. I’ve listened to it about a dozen times at this point, but I want to ask you something about the video that you submitted because it’s also pretty amazing. You and the other musicians are in shirts and ties. You’re in what looks like an office-like setting, and you’re sitting at desks like you’re at work. Talk us through the idea behind the video.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: So originally, it came to me back when I released my album in July of 2023, called “Kironic.” “What’s It All Mean?” was the opening track. And my team and I were discussing a lot of ideas about this character, and this office idea came through, and I realized that was it. This character who’s in the suit, which is me, it’s really just a symbolism for, the work always continues, no matter what you’re doing in life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) Get up. Go to work. Go to sleep, then repeat. You can’t seem to meet needs working hard like machines. Broken hearts torn apart, making sure you’re closed off and avoid getting hurt to preserve your self-worth. What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: The desk was also, like, a huge symbolism. It’s the place of innovation. It’s the place of reflection. It’s also the place of monotony, but either way, the symbolism has a big role in our lives, no matter where we put its significance.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You know, I’ve got to ask you, was there a time at work when you were sitting there at a desk or doing something else and just asking yourself, what’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. So I think that’s the nicer way of putting it. I think – (laughter) – there were most times I was sitting at a desk where I felt like I was deviating from my path, where I just said, I don’t think I should be here. This is not the right desk. I need my own desk.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You wrote a comment that shouts out the Sacramento community, and you say that that’s a community that literally lifted you up to see this vision through when, as you put it, you had not a single penny to your name. Can you say more about that?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Oh, yeah. During (laughter) that time, yes, it was a very humbling experience. It was a very dark moment. I was recently, last year, in a total loss car accident, and I was doing Uber and, you know, doing OK to make my ends meet. But once I got into that crash, I could no longer do Uber. So I was really scrounging up money for change and to even do the shows. I had these big visions for shows where I wanted to put nine people playing for me, but I couldn’t afford it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>So as the months went by, it got progressively worse and worse and worse and worse. And my other bills started to fall behind, too. And so I asked for a very, very big favor and said, hey, I think we could do good in this contest if we execute this vision, but I really need your guys’ help for this. And everybody, absolutely everybody, was no hesitation, came through to help me. And I’m eternally grateful for it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: I mean, that’s such an incredible story. You came from having this car accident to trying to figure out how to put this together. And now you’ve won the Tiny Desk Contest, and you’re coming here to NPR to play at the actual Tiny Desk. How does that feel?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: It feels like it’s overnight, like how my life has changed, but I also know there was a lot of things that I had to go through to get to this point. And I hold it deeply, and I hold it with reverence. And I’m glad that I went through the struggle because this win feels – it feels so honest to me. It feels so honest to what I believe in. It’s a reflection of everything I’ve worked for. And so I’m just eternally grateful for everything that I’ve gone through, good and bad.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: That’s Christian Gates, aka The Philharmonik, the winner of this year’s NPR Tiny Desk Contest. And if you are looking up his music, that is Philharmonik, spelled with a K. You can see the winning video for his song, “What’s It All Mean?” at npr.org. Christian, thank you, and congratulations again.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Thank you for having me on. It’s a pleasure.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What goes up must come down. What goes around comes around. Around the sun…\u003c/p>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957969/2024-tiny-desk-contest-winner-sacramento-philharmonik","authors":["byline_arts_13957969"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_5779","arts_6554","arts_4271"],"affiliates":["arts_137"],"featImg":"arts_13957970","label":"arts_137"},"arts_13957814":{"type":"posts","id":"arts_13957814","meta":{"index":"posts_1591205157","site":"arts","id":"13957814","score":null,"sort":[1715722144000]},"guestAuthors":[],"slug":"what-are-the-kids-thinking-these-days-honor-levy-aims-to-tell-in-my-first-book","title":"What are ‘the Kids’ Thinking These Days? Honor Levy Aims to Tell in ‘My First Book’","publishDate":1715722144,"format":"aside","headTitle":"What are ‘the Kids’ Thinking These Days? Honor Levy Aims to Tell in ‘My First Book’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cfigure class=\"wp-block-image size-large\">\u003c/figure>\n\u003cfigure id=\"attachment_13957815\" class=\"wp-caption aligncenter\" style=\"max-width: 664px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957815\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/untitled-design-65-_custom-909b15798ce00e75e98663799b30b07ff3b82b6c.jpg\" alt=\"A blue book cover with pixelated lettering like an old-fashioned computer.\" width=\"664\" height=\"948\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/untitled-design-65-_custom-909b15798ce00e75e98663799b30b07ff3b82b6c.jpg 664w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/untitled-design-65-_custom-909b15798ce00e75e98663799b30b07ff3b82b6c-160x228.jpg 160w\" sizes=\"(max-width: 664px) 100vw, 664px\">\u003cfigcaption class=\"wp-caption-text\">‘My First Book’ by Honor Levy. \u003ccite>(Penguin Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What are the kids thinking these days? That seems be to the question behind the publication of \u003cem>My First Book\u003c/em>, the buzzy debut story collection by Honor Levy.\u003c/p>\n\u003cp>The 26-year-old writer was the subject of \u003ca href=\"https://www.thecut.com/article/honor-levy-my-first-book-dimes-square-interview.html\">a viral profile in \u003cem>The Cut\u003c/em>\u003c/a> earlier this month, in which she described the praise she received for \u003ca href=\"https://www.newyorker.com/books/flash-fiction/good-boys\">her story “Good Boys”\u003c/a> on \u003cem>The New Yorker\u003c/em> website as “not undeserved” and demurred when asked whether she’s the voice of her generation. Social media discourse and the inevitable backlash aside, Levy’s first book is an amusing, if uneven, take on growing up white, privileged and Gen Z, the first generation to completely be born after the existence of the internet.\u003c/p>\n\u003cp>[aside postid='arts_13957749']Readers won’t find meticulously plotted story arcs, fleshed-out characters, emotional epiphanies, or any other earmarks of conventional literary fiction. Most of Levy’s stories run fewer than 12 pages and feel like very long flash fiction, written in a voice dense with the chaotic patois of the internet. In her strongest stories, Levy channels the blitzkrieg of contradictory micro-observations we absorb from social media, video games, and doomscrolling to create the absurd, incomprehensible cacophony that anyone born after 1997 had to grow up enduring. These stories seem to ask: How can anyone expect a well-adjusted adult to rise from all this noise?\u003c/p>\n\u003cp>In “Internet Girl,” the main character is 11 and very online, and Levy’s portrayal of her narrator’s interiority is both compellingly satirical and frighteningly plausible. She writes:\u003c/p>\n\u003cblockquote>\u003cp>It’s 2008, and my dad gets laid off and everything is happening all at once. All at once, there are two girls and one cup and planes hitting towers and a webcam looking at me and me smiling into it and a man and a boy and a love and a stranger on the other end. All at once, there are a million videos to watch and a million more to make. All at once it’s all at once. It’s beginning and ending all at once all the time. I’m twenty-one. I’m eleven. I’m on the internet. I’m twenty-one.\u003c/p>\u003c/blockquote>\n\u003cp>Another strong piece is “Love Story,” the collection’s opener, which is about a boy and a girl having an online relationship that seems to consist entirely of texting and sending pics of their bodies to each other. Levy poignantly captures the girl’s vulnerability. “Little girl lost can’t even find herself,” Levy writes. “Pictures of her naked body are out there everywhere, in the cloud floating, and under the sea, coursing through cables in the dark. It’s so dark.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Levy smartly skewers late capitalism in “Halloween Forever,” about a young woman trying to survive a surreal and drug-filled Halloween night in Brooklyn. She meets a “boy from Stanford dressed as a cowboy,” who, when sufficiently coked-up, muses about the romance of the Wild West and how “The West was freedom … just like the internet originally was!” The narrator is skeptical:\u003c/p>\n\u003cblockquote>\u003cp>Freedom is the stuff of dreams and nightmares only and our free market doesn’t make us free people, but the cowboy doesn’t care. Silicon Valley must have burrowed itself deep into his brain underneath that hat. He is probably afraid of blood, or social media, or something stupid. My drink is seventeen dollars.\u003c/p>\u003c/blockquote>\n\u003cp>As the collection progresses, the unique blend of the satirical and the poignant gives way to a more essayistic approach to storytelling. In “Cancel Me,” which is about cancel culture, the characters — a young woman and two “Ivy League boys with kitten-sharp teeth and Accutane-skin,” all of whom have experienced cancellation for murky reasons — gradually fade into a series of observations about wokeness that aren’t much different or more insightful than what one might find on X or Reddit.\u003c/p>\n\u003cp>[aside postid='arts_13957276']“Z Was For Zoomer,” which runs more than 50 pages, seems to be a continuation of “Cancel Me,” except the two male “edgelords” — someone on an internet forum who deliberately posts about controversial or taboo topics to appear edgy — are named Gideon and Ivan instead of Jack and Roger. Just as in “Cancel Me,” the narrator’s relationship with the men is never defined and doesn’t progress. Character-driven narrative takes a back seat to dashed-off, inch-deep lines like “Identity is a Swedish prison, comfortable but you still can’t leave.”\u003c/p>\n\u003cp>It should also be mentioned that these stories won’t pass the most permissive of racial Bechdel tests. The number of non-white references in this 200-page book won’t go past one hand, unless you count the few references to anime and the rapper formerly known as Kanye West. The milieu of Honor Levy’s fiction is undeniably white and privileged, but her best stories exaggerate that milieu to great satirical effect. Perhaps her second book will contain more of them.\u003c/p>\n\u003cp>\u003cem>Leland Cheuk is an award-winning author of three books of fiction, including the latest “No Good Very Bad Asian.’ His writing has appeared in ‘The Washington Post,’ ‘The Boston Globe,’ ‘San Francisco Chronicle,’ and ‘Salon,’ among other outlets.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘My First Book’ by Honor Levy (Penguin Press) is out on May 14, 2014.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Social media discourse and inevitable backlash aside, the 26-year-old's first book is an amusing take on growing up Gen Z.","status":"publish","parent":0,"modified":1715722144,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":967},"headData":{"title":"‘My First Book’ Review: Honor Levy's Short Stories for Gen Z | KQED","description":"Social media discourse and inevitable backlash aside, the 26-year-old's first book is an amusing take on growing up Gen Z.","ogTitle":"What are ‘the Kids’ Thinking These Days? Honor Levy Aims to Tell in ‘My First Book’","ogDescription":"","ogImgId":"","twTitle":"What are ‘the Kids’ Thinking These Days? Honor Levy Aims to Tell in ‘My First Book’","twDescription":"","twImgId":"","socialTitle":"‘My First Book’ Review: Honor Levy's Short Stories for Gen Z %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"What are ‘the Kids’ Thinking These Days? Honor Levy Aims to Tell in ‘My First Book’","datePublished":"2024-05-14T14:29:04-07:00","dateModified":"2024-05-14T14:29:04-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Leland Cheuk, NPR","nprStoryId":"1250912188","nprHtmlLink":"https://www.npr.org/2024/05/14/1250912188/honor-levy-my-first-book-short-stories-review","nprRetrievedStory":"1","nprPubDate":"2024-05-14T06:00:06-04:00","nprStoryDate":"2024-05-14T06:00:06-04:00","nprLastModifiedDate":"2024-05-14T06:00:06-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957814/what-are-the-kids-thinking-these-days-honor-levy-aims-to-tell-in-my-first-book","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-block-image size-large\">\u003c/figure>\n\u003cfigure id=\"attachment_13957815\" class=\"wp-caption aligncenter\" style=\"max-width: 664px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957815\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/untitled-design-65-_custom-909b15798ce00e75e98663799b30b07ff3b82b6c.jpg\" alt=\"A blue book cover with pixelated lettering like an old-fashioned computer.\" width=\"664\" height=\"948\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/untitled-design-65-_custom-909b15798ce00e75e98663799b30b07ff3b82b6c.jpg 664w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/untitled-design-65-_custom-909b15798ce00e75e98663799b30b07ff3b82b6c-160x228.jpg 160w\" sizes=\"(max-width: 664px) 100vw, 664px\">\u003cfigcaption class=\"wp-caption-text\">‘My First Book’ by Honor Levy. \u003ccite>(Penguin Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What are the kids thinking these days? That seems be to the question behind the publication of \u003cem>My First Book\u003c/em>, the buzzy debut story collection by Honor Levy.\u003c/p>\n\u003cp>The 26-year-old writer was the subject of \u003ca href=\"https://www.thecut.com/article/honor-levy-my-first-book-dimes-square-interview.html\">a viral profile in \u003cem>The Cut\u003c/em>\u003c/a> earlier this month, in which she described the praise she received for \u003ca href=\"https://www.newyorker.com/books/flash-fiction/good-boys\">her story “Good Boys”\u003c/a> on \u003cem>The New Yorker\u003c/em> website as “not undeserved” and demurred when asked whether she’s the voice of her generation. Social media discourse and the inevitable backlash aside, Levy’s first book is an amusing, if uneven, take on growing up white, privileged and Gen Z, the first generation to completely be born after the existence of the internet.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957749","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Readers won’t find meticulously plotted story arcs, fleshed-out characters, emotional epiphanies, or any other earmarks of conventional literary fiction. Most of Levy’s stories run fewer than 12 pages and feel like very long flash fiction, written in a voice dense with the chaotic patois of the internet. In her strongest stories, Levy channels the blitzkrieg of contradictory micro-observations we absorb from social media, video games, and doomscrolling to create the absurd, incomprehensible cacophony that anyone born after 1997 had to grow up enduring. These stories seem to ask: How can anyone expect a well-adjusted adult to rise from all this noise?\u003c/p>\n\u003cp>In “Internet Girl,” the main character is 11 and very online, and Levy’s portrayal of her narrator’s interiority is both compellingly satirical and frighteningly plausible. She writes:\u003c/p>\n\u003cblockquote>\u003cp>It’s 2008, and my dad gets laid off and everything is happening all at once. All at once, there are two girls and one cup and planes hitting towers and a webcam looking at me and me smiling into it and a man and a boy and a love and a stranger on the other end. All at once, there are a million videos to watch and a million more to make. All at once it’s all at once. It’s beginning and ending all at once all the time. I’m twenty-one. I’m eleven. I’m on the internet. I’m twenty-one.\u003c/p>\u003c/blockquote>\n\u003cp>Another strong piece is “Love Story,” the collection’s opener, which is about a boy and a girl having an online relationship that seems to consist entirely of texting and sending pics of their bodies to each other. Levy poignantly captures the girl’s vulnerability. “Little girl lost can’t even find herself,” Levy writes. “Pictures of her naked body are out there everywhere, in the cloud floating, and under the sea, coursing through cables in the dark. It’s so dark.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Levy smartly skewers late capitalism in “Halloween Forever,” about a young woman trying to survive a surreal and drug-filled Halloween night in Brooklyn. She meets a “boy from Stanford dressed as a cowboy,” who, when sufficiently coked-up, muses about the romance of the Wild West and how “The West was freedom … just like the internet originally was!” The narrator is skeptical:\u003c/p>\n\u003cblockquote>\u003cp>Freedom is the stuff of dreams and nightmares only and our free market doesn’t make us free people, but the cowboy doesn’t care. Silicon Valley must have burrowed itself deep into his brain underneath that hat. He is probably afraid of blood, or social media, or something stupid. My drink is seventeen dollars.\u003c/p>\u003c/blockquote>\n\u003cp>As the collection progresses, the unique blend of the satirical and the poignant gives way to a more essayistic approach to storytelling. In “Cancel Me,” which is about cancel culture, the characters — a young woman and two “Ivy League boys with kitten-sharp teeth and Accutane-skin,” all of whom have experienced cancellation for murky reasons — gradually fade into a series of observations about wokeness that aren’t much different or more insightful than what one might find on X or Reddit.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957276","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Z Was For Zoomer,” which runs more than 50 pages, seems to be a continuation of “Cancel Me,” except the two male “edgelords” — someone on an internet forum who deliberately posts about controversial or taboo topics to appear edgy — are named Gideon and Ivan instead of Jack and Roger. Just as in “Cancel Me,” the narrator’s relationship with the men is never defined and doesn’t progress. Character-driven narrative takes a back seat to dashed-off, inch-deep lines like “Identity is a Swedish prison, comfortable but you still can’t leave.”\u003c/p>\n\u003cp>It should also be mentioned that these stories won’t pass the most permissive of racial Bechdel tests. The number of non-white references in this 200-page book won’t go past one hand, unless you count the few references to anime and the rapper formerly known as Kanye West. The milieu of Honor Levy’s fiction is undeniably white and privileged, but her best stories exaggerate that milieu to great satirical effect. Perhaps her second book will contain more of them.\u003c/p>\n\u003cp>\u003cem>Leland Cheuk is an award-winning author of three books of fiction, including the latest “No Good Very Bad Asian.’ His writing has appeared in ‘The Washington Post,’ ‘The Boston Globe,’ ‘San Francisco Chronicle,’ and ‘Salon,’ among other outlets.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘My First Book’ by Honor Levy (Penguin Press) is out on May 14, 2014.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957814/what-are-the-kids-thinking-these-days-honor-levy-aims-to-tell-in-my-first-book","authors":["byline_arts_13957814"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835","arts_75"],"tags":["arts_5221","arts_769","arts_22017","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13957824","label":"arts_140"},"arts_13957749":{"type":"posts","id":"arts_13957749","meta":{"index":"posts_1591205157","site":"arts","id":"13957749","score":null,"sort":[1715696165000]},"guestAuthors":[],"slug":"kathleen-hanna-interview-bikini-kill-le-tigre-rebel-girl","title":"Kathleen Hanna on Life as a ‘Rebel Girl,’ and the Joy of Expressing Anger in Public","publishDate":1715696165,"format":"standard","headTitle":"Kathleen Hanna on Life as a ‘Rebel Girl,’ and the Joy of Expressing Anger in Public | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cfigure class=\"wp-block-image size-large\">\u003cfigcaption>\u003c/figcaption>\u003c/figure>\n\u003cp>Activist, musician and punk pioneer Kathleen Hanna has always been a force. With her band \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">Bikini Kill\u003c/a>, she pioneered the “riot grrrl” movement in the 1990s, challenging the misogyny of both the punk scene and society at large.\u003c/p>\n\u003cp>“When I moved to Olympia, [Wash.], there were all these kids who were making music and putting out records on small indie labels,” Hanna says. “And they sort of defined punk not as a genre or a … loud, angry, aggressive sound, but as an idea … that we don’t have to wait for corporations to tell us what is good music or art or writing. We can make it ourselves.”\u003c/p>\n\u003cp>[aside postid='pop_10272']And so she did. Along with Tobi Vail, Billy Karren and Kathi Wilcox, Hanna formed the feminist punk band Bikini Kill. The band urged women and girls in the audience to move up to the front of the stage, write political zines and talk openly about sexual violence. Emboldened by the music, fans would come to Hanna to talk about their own experiences.\u003c/p>\n\u003cp>On tour, Hanna and her bandmates faced abuse and disrespect from male fans and club workers. A one point, a sound man threatened to stab her when she was touring with another one of her bands, Le Tigre.\u003c/p>\n\u003cp>“This was our workplace, and every single night was a different set of threatened angry men … who would treat us with such utter disrespect,” she says. “One of the things that has been getting me by is this phrase: ‘In punk rock, there is no HR.’ ”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In her new memoir, \u003cem>Rebel Girl\u003c/em>, Hanna looks back on her childhood and her experiences in the punk scene. She also writes about finding out that an undiagnosed case of Lyme disease was the reason she couldn’t physically perform anymore.\u003c/p>\n\u003cp>Since her diagnosis and treatment, Hanna’s back to to performing again with Bikini Kill and her other bands, Le Tigre and \u003ca href=\"https://www.npr.org/artists/487027362/the-julie-ruin\">The Julie Ruin\u003c/a>. She says there’s still a lot of anger in the shows, but there’s also “so much more joy.”\u003c/p>\n\u003cp>“The songs really go from joy to sadness to rage very quickly. And I’m finding nuances in them that I didn’t know were there,” she says. “It feels joyous to explore our anger in public.”\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>Interview highlights\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/13/rebelgirlbookcover---photo-by-leeta-harding_cover-by-ecco-1-1-_custom-0ef859eb029e015065ad9cadc6266a733c1ccc37.jpeg?s=1200&c=75&f=jpeg\" alt=\"A book cover featuring a photo of a young woman wearing her hair in a pony tail.\" width=\"1200\" height=\"1802\">\u003cfigcaption class=\"wp-caption-text\">‘Rebel Girl’ by Kathleen Hanna.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>\u003cstrong>On the early days of the riot grrrl feminist punk movement\u003c/strong>\u003c/p>\n\u003cp>[There were] girls in the riot grrrl meetings who were just crying because it was the first time they’d been in an all-female atmosphere, and they were just like, “Whoa, this feels really weird. I’m confused.” And then like, “Wait, why have I never made this a priority before?” And just that feeling of a room changing. Just sitting at a crappy plastic Office Max table with a bunch of young women who have been relegated to the back of the room at punk shows for so long, finally saying, “I’ve always wanted to start a band,” or “Hey, does anybody know how to play guitar? I’d like to learn.” That’s an amazing feeling. That really kind of changes the room into this beautiful place of possibilities.\u003c/p>\n\u003cp>\u003cstrong>On writing the 1993\u003c/strong> \u003cstrong>riot grrrl anthem, “Rebel Girl” \u003c/strong>\u003c/p>\n\u003cp>We wrote that one in the basement of this house called The Embassy. It was a punk house, and punk houses a lot of times have names. And this one was called The Embassy because it was pretty close to Embassy Row in D.C. And I just remember how sweaty it was and it was very small. And I’ll always remember writing that song because it was one of those times where I was writing it as we were playing it. So they started coming up with the music, and as it became more full-formed, I started hearing the first couple lines in my head and I just stepped to the mic, and then they just kind of fell out. I stepped back and started thinking, ‘OK, what’s the chorus going to be?’ … And then I walked back to the mic and I just sang and ‘Rebel girl, rebel girl, you are the queen of my world’ came out. And it just kind of happened. It felt like the scene of punk women that I was hanging out with, and that I was becoming friends with, really wrote that song and I just like grabbed it from the air, or something.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/13/joanjettbikinikill_wide-ed61f729f30fd7890e9b85581c3640e127cff2e3.jpeg?s=1200&c=75&f=jpeg\" alt=\"A girl with a black bob hair cut wearing a leather jacket stands surrounded by three young women and one young man.\" width=\"1200\" height=\"675\">\u003cfigcaption class=\"wp-caption-text\">Hanna (fourth from left) poses with Joan Jett (center) and fellow Bikini Kill members Tobi Vail, Billy Karren and Kathi Wilcox in New York City in 1992.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>\u003cstrong>On how she made her concerts a safe space for women and girls \u003c/strong>\u003c/p>\n\u003cp>We did stuff like hand out lyric sheets that had the lyrics on them so that other girls and women would know these are the lyrics and what the subject matter was, because a lot of times you couldn’t understand what I was saying through the crappy PAs I was singing through, and sometimes even talking in between songs, you couldn’t understand what I was saying. And so that was one way that [we] gave them a souvenir to take home, to read through and think about and maybe disagree with so that they start their own bands or it encourages them to write their own poetry or write their own zines.\u003c/p>\n\u003cp>[aside postid='arts_13863821']We also had zines that talked about a lot of different political issues of the day that we sold at our shows. We prioritized having girls and women come up to the front, because a lot of the shows we were playing back then, it was straight, cisgender white guys predominating and taking up all the space of the room. And we really selfishly wanted to build the community so we had more girl bands to play with. And how is that going to happen if they’re all stuck in the back? … So I started inviting the girls to the front. ‘Hey, do you guys want to come to the front?’ And then it kind of became a thing. … It was like, what if we just rearrange this room a little bit? What’s going to happen? And what happened was a lot of men were really mad and hated us. But it was also an interesting experiment.\u003c/p>\n\u003cp>\u003cstrong>On a drunken night with \u003ca href=\"https://www.kqed.org/pop/11767/did-our-idol-worship-drive-kurt-cobain-to-suicide\">Kurt Cobain\u003c/a> when she graffitied a phrase that inspired the title of \u003c/strong>\u003cstrong>Nirvana\u003c/strong>\u003cstrong>‘s first big hit \u003c/strong>\u003c/p>\n\u003cp>I took out a Sharpie marker, and I just wrote like, ‘Kurt Smells Like Teen Spirit’ because me and Tobi [Vail] had been at a grocery store and seen this new deodorant [that said] ‘Smells like teen spirit,’ and we were like, ‘That’s hilarious. What does teen spirit smell like? … Sharpie marker and poster board? It smells like Mod Podge? What does it smell like?’ So we were just goofing on that. So [it] was in my head. And when I was wasted, it just came out and I wrote, like, 10 other things on his wall — and he was a renter, so that was kind of a bad move on my part. Not very kind or thoughtful. And then he called me on the phone many, many months later and was like, ‘Can I use that in a song?’ I didn’t even know it was going to be the title for a song. And I was like, ‘Yeah, sure, that’s great.’\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Thea Chaloner and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The Bikini Kill frontwoman pioneered riot grrrl in the ’90s. ‘I thought of myself as a feminist performance artist,’ Hanna says. ","status":"publish","parent":0,"modified":1715649395,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1354},"headData":{"title":"Kathleen Hanna Interview: Bikini Kill Frontwoman Talks ‘Rebel Girl’ | KQED","description":"The Bikini Kill frontwoman pioneered riot grrrl in the ’90s. ‘I thought of myself as a feminist performance artist,’ Hanna says. ","ogTitle":"Kathleen Hanna on Life as a ‘Rebel Girl,’ and the Joy of Expressing Anger in Public","ogDescription":"","ogImgId":"","twTitle":"Kathleen Hanna on Life as a ‘Rebel Girl,’ and the Joy of Expressing Anger in Public","twDescription":"","twImgId":"","socialTitle":"Kathleen Hanna Interview: Bikini Kill Frontwoman Talks ‘Rebel Girl’ %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Kathleen Hanna on Life as a ‘Rebel Girl,’ and the Joy of Expressing Anger in Public","datePublished":"2024-05-14T07:16:05-07:00","dateModified":"2024-05-13T18:16:35-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Ann Marie Baldonado, NPR","nprStoryId":"1250507900","nprHtmlLink":"https://www.npr.org/2024/05/13/1250507900/bikini-kill-kathleen-hanna-rebel-girl","nprRetrievedStory":"1","nprPubDate":"2024-05-13T13:12:07-04:00","nprStoryDate":"2024-05-13T13:12:07-04:00","nprLastModifiedDate":"2024-05-13T13:55:32-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2024/05/20240513_fa_6bf22e2c-cec8-4979-9a83-0df3d86f9249.mp3?d=2232&size=35718418&e=1250507900&t=progseg&seg=1&p=13","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957749/kathleen-hanna-interview-bikini-kill-le-tigre-rebel-girl","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2024/05/20240513_fa_6bf22e2c-cec8-4979-9a83-0df3d86f9249.mp3?d=2232&size=35718418&e=1250507900&t=progseg&seg=1&p=13","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-block-image size-large\">\u003cfigcaption>\u003c/figcaption>\u003c/figure>\n\u003cp>Activist, musician and punk pioneer Kathleen Hanna has always been a force. With her band \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">Bikini Kill\u003c/a>, she pioneered the “riot grrrl” movement in the 1990s, challenging the misogyny of both the punk scene and society at large.\u003c/p>\n\u003cp>“When I moved to Olympia, [Wash.], there were all these kids who were making music and putting out records on small indie labels,” Hanna says. “And they sort of defined punk not as a genre or a … loud, angry, aggressive sound, but as an idea … that we don’t have to wait for corporations to tell us what is good music or art or writing. We can make it ourselves.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_10272","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>And so she did. Along with Tobi Vail, Billy Karren and Kathi Wilcox, Hanna formed the feminist punk band Bikini Kill. The band urged women and girls in the audience to move up to the front of the stage, write political zines and talk openly about sexual violence. Emboldened by the music, fans would come to Hanna to talk about their own experiences.\u003c/p>\n\u003cp>On tour, Hanna and her bandmates faced abuse and disrespect from male fans and club workers. A one point, a sound man threatened to stab her when she was touring with another one of her bands, Le Tigre.\u003c/p>\n\u003cp>“This was our workplace, and every single night was a different set of threatened angry men … who would treat us with such utter disrespect,” she says. “One of the things that has been getting me by is this phrase: ‘In punk rock, there is no HR.’ ”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In her new memoir, \u003cem>Rebel Girl\u003c/em>, Hanna looks back on her childhood and her experiences in the punk scene. She also writes about finding out that an undiagnosed case of Lyme disease was the reason she couldn’t physically perform anymore.\u003c/p>\n\u003cp>Since her diagnosis and treatment, Hanna’s back to to performing again with Bikini Kill and her other bands, Le Tigre and \u003ca href=\"https://www.npr.org/artists/487027362/the-julie-ruin\">The Julie Ruin\u003c/a>. She says there’s still a lot of anger in the shows, but there’s also “so much more joy.”\u003c/p>\n\u003cp>“The songs really go from joy to sadness to rage very quickly. And I’m finding nuances in them that I didn’t know were there,” she says. “It feels joyous to explore our anger in public.”\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>Interview highlights\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/13/rebelgirlbookcover---photo-by-leeta-harding_cover-by-ecco-1-1-_custom-0ef859eb029e015065ad9cadc6266a733c1ccc37.jpeg?s=1200&c=75&f=jpeg\" alt=\"A book cover featuring a photo of a young woman wearing her hair in a pony tail.\" width=\"1200\" height=\"1802\">\u003cfigcaption class=\"wp-caption-text\">‘Rebel Girl’ by Kathleen Hanna.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>\u003cstrong>On the early days of the riot grrrl feminist punk movement\u003c/strong>\u003c/p>\n\u003cp>[There were] girls in the riot grrrl meetings who were just crying because it was the first time they’d been in an all-female atmosphere, and they were just like, “Whoa, this feels really weird. I’m confused.” And then like, “Wait, why have I never made this a priority before?” And just that feeling of a room changing. Just sitting at a crappy plastic Office Max table with a bunch of young women who have been relegated to the back of the room at punk shows for so long, finally saying, “I’ve always wanted to start a band,” or “Hey, does anybody know how to play guitar? I’d like to learn.” That’s an amazing feeling. That really kind of changes the room into this beautiful place of possibilities.\u003c/p>\n\u003cp>\u003cstrong>On writing the 1993\u003c/strong> \u003cstrong>riot grrrl anthem, “Rebel Girl” \u003c/strong>\u003c/p>\n\u003cp>We wrote that one in the basement of this house called The Embassy. It was a punk house, and punk houses a lot of times have names. And this one was called The Embassy because it was pretty close to Embassy Row in D.C. And I just remember how sweaty it was and it was very small. And I’ll always remember writing that song because it was one of those times where I was writing it as we were playing it. So they started coming up with the music, and as it became more full-formed, I started hearing the first couple lines in my head and I just stepped to the mic, and then they just kind of fell out. I stepped back and started thinking, ‘OK, what’s the chorus going to be?’ … And then I walked back to the mic and I just sang and ‘Rebel girl, rebel girl, you are the queen of my world’ came out. And it just kind of happened. It felt like the scene of punk women that I was hanging out with, and that I was becoming friends with, really wrote that song and I just like grabbed it from the air, or something.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/13/joanjettbikinikill_wide-ed61f729f30fd7890e9b85581c3640e127cff2e3.jpeg?s=1200&c=75&f=jpeg\" alt=\"A girl with a black bob hair cut wearing a leather jacket stands surrounded by three young women and one young man.\" width=\"1200\" height=\"675\">\u003cfigcaption class=\"wp-caption-text\">Hanna (fourth from left) poses with Joan Jett (center) and fellow Bikini Kill members Tobi Vail, Billy Karren and Kathi Wilcox in New York City in 1992.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>\u003cstrong>On how she made her concerts a safe space for women and girls \u003c/strong>\u003c/p>\n\u003cp>We did stuff like hand out lyric sheets that had the lyrics on them so that other girls and women would know these are the lyrics and what the subject matter was, because a lot of times you couldn’t understand what I was saying through the crappy PAs I was singing through, and sometimes even talking in between songs, you couldn’t understand what I was saying. And so that was one way that [we] gave them a souvenir to take home, to read through and think about and maybe disagree with so that they start their own bands or it encourages them to write their own poetry or write their own zines.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13863821","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>We also had zines that talked about a lot of different political issues of the day that we sold at our shows. We prioritized having girls and women come up to the front, because a lot of the shows we were playing back then, it was straight, cisgender white guys predominating and taking up all the space of the room. And we really selfishly wanted to build the community so we had more girl bands to play with. And how is that going to happen if they’re all stuck in the back? … So I started inviting the girls to the front. ‘Hey, do you guys want to come to the front?’ And then it kind of became a thing. … It was like, what if we just rearrange this room a little bit? What’s going to happen? And what happened was a lot of men were really mad and hated us. But it was also an interesting experiment.\u003c/p>\n\u003cp>\u003cstrong>On a drunken night with \u003ca href=\"https://www.kqed.org/pop/11767/did-our-idol-worship-drive-kurt-cobain-to-suicide\">Kurt Cobain\u003c/a> when she graffitied a phrase that inspired the title of \u003c/strong>\u003cstrong>Nirvana\u003c/strong>\u003cstrong>‘s first big hit \u003c/strong>\u003c/p>\n\u003cp>I took out a Sharpie marker, and I just wrote like, ‘Kurt Smells Like Teen Spirit’ because me and Tobi [Vail] had been at a grocery store and seen this new deodorant [that said] ‘Smells like teen spirit,’ and we were like, ‘That’s hilarious. What does teen spirit smell like? … Sharpie marker and poster board? It smells like Mod Podge? What does it smell like?’ So we were just goofing on that. So [it] was in my head. And when I was wasted, it just came out and I wrote, like, 10 other things on his wall — and he was a renter, so that was kind of a bad move on my part. Not very kind or thoughtful. And then he called me on the phone many, many months later and was like, ‘Can I use that in a song?’ I didn’t even know it was going to be the title for a song. And I was like, ‘Yeah, sure, that’s great.’\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Thea Chaloner and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957749/kathleen-hanna-interview-bikini-kill-le-tigre-rebel-girl","authors":["byline_arts_13957749"],"categories":["arts_1","arts_73","arts_69","arts_75"],"tags":["arts_21719","arts_7264","arts_21679"],"affiliates":["arts_137"],"featImg":"arts_13957750","label":"arts_137"},"arts_13957646":{"type":"posts","id":"arts_13957646","meta":{"index":"posts_1591205157","site":"arts","id":"13957646","score":null,"sort":[1715375767000]},"guestAuthors":[],"slug":"book-review-the-library-thief-kuchenga-shenje-historical-fiction","title":"A 19th-Century Bookbinder Struggles With Race and Identity in ‘The Library Thief’","publishDate":1715375767,"format":"aside","headTitle":"A 19th-Century Bookbinder Struggles With Race and Identity in ‘The Library Thief’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cfigure id=\"attachment_13957647\" class=\"wp-caption aligncenter\" style=\"max-width: 990px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957647\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68.jpg\" alt=\"A book cover illustration shows a woman in late 19th century dress standing between tall stacks of books before a huge window.\" width=\"990\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68.jpg 990w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68-800x1212.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68-768x1164.jpg 768w\" sizes=\"(max-width: 990px) 100vw, 990px\">\u003cfigcaption class=\"wp-caption-text\">‘The Library Thief’ by Kuchenga Shenjé. \u003ccite>(Hanover Square Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The examination of race and identity can be seen throughout literature, and increasingly today.\u003c/p>\n\u003cp>In her debut novel, \u003cem>The Library Thief\u003c/em>, Kuchenga Shenjé explores these concepts — and the associated expectations that arise when society demands that every group be neatly categorized. Shenjé delves into the past in this work of historical fiction, posing inquiries about Black people’s lives in the Victorian era.\u003c/p>\n\u003cp>[aside postid='arts_13956715']In this 19th-century English story, Florence, an ambitious bookbinder, is expelled from her family home by her harsh and unforgiving father for being with a young man. Florence, a clever and savvy woman, persuades Lord Francis Belfield to let her stay at Rose Hall manor by promising to restore the priceless books in his library in time for an impending sale, assuring him that she is just as skilled as her father. Among Lord Belfield’s minimal staff, Florence stands out as an educated, liberal woman.\u003c/p>\n\u003cp>But Florence is not as polished as she wants her new acquaintances to believe. Being raised by a single father and not knowing her mother, whom she was told is dead, has fostered an emptiness in Florence she thought she could fill with books. She’s adrift and feels unloved. This fragile foundation is fertile ground for the harrowing experiences Florence faces during her stay at the manor.\u003c/p>\n\u003cp>Florence arrives at Rose Hall to find that Lord Banfeild’s wife has died, and the new widower is beside himself with grief. Immediately, Florence finds herself in the middle of a tightly woven plot of family secrets and lies that conveniently shroud the lives of the upper class. She becomes fixated on Lady Persephone’s death and starts investigating suspicious activities around it. During her investigation, she uncovers some dark Banfield family secrets, which include violence, abuse, and “passing” family members. This journey of discovery forces Florence to confront her own identity and the mysteries surrounding her life.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some characters in this novel intentionally or unintentionally pass as white because they find it easier than living as a Black person in Victorian England. While the topic of “passing” is frequently explored in literature set in the 1920s and 30s, Shenjé delves into what it means to be a Black person passing in the 19th century. She explores this theme in multiple ways: One character completely abandons their family to live as a white man, another maintains contact with her family but uses her husband’s wealth and influence to hide in plain sight, and the third, and perhaps most intriguing, character lives as a white person without knowing they were actually Black.\u003c/p>\n\u003cp>Florence is uncertain about her own race, and she passionately advocates for the rights of Black people. She often becomes offended by the viewpoints of her friends, neighbors, and even their pastor towards Black people. Florence grew up in a white community and had limited interactions with Black people, other than through books until she met Lady Persephone’s lady’s maid — a beautiful, charming, and highly educated Black woman. “How could a whole sector of humanity once viewed as animals now be writing books and teaching universities and the like? We had been lied to,” she says after a particularly awful sermon propagating the inferiority of African people.\u003c/p>\n\u003cp>[aside postid='arts_13956128']At times, Shenjé’s use of language attempting at inclusivity fails to achieve what appears to be the intended effect. The discussion of gender roles in a highly complex way seems forced and unrealistic. This is especially so when such language and philosophizing are attributed to certain characters in particular.\u003c/p>\n\u003cp>While \u003cem>The Library Thief\u003c/em> doesn’t exactly break new ground when it comes to exploring issues of race and identity, it does have some entertaining elements. Wesley is a standout character who should have received more attention. If a movie adaptation of the character were ever to happen, Patrick Walshe McBride would be an excellent choice to play the part. Shenjé also did an fantastic job planting hints throughout the story that lead to the main character’s true identity. The best part of the book is the unexpected twist at the end that ties up the murder mystery. Kudos to Shenjé for that surprise ending.\u003c/p>\n\u003cp>\u003cem>Keishel Williams is a Trinidadian American book reviewer, arts & culture writer, and editor.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Library Thief’ by Kuchenga Shenjé (Hanover Square Press) is out now.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Kuchenga Shenjé explores the expectations that arise when society demands that every group be neatly categorized.","status":"publish","parent":0,"modified":1715375767,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":770},"headData":{"title":"Book Review: ‘The Library Thief’ by Kuchenga Shenjé | KQED","description":"Kuchenga Shenjé explores the expectations that arise when society demands that every group be neatly categorized.","ogTitle":"A 19th-Century Bookbinder Struggles With Race and Identity in ‘The Library Thief’","ogDescription":"","ogImgId":"","twTitle":"A 19th-Century Bookbinder Struggles With Race and Identity in ‘The Library Thief’","twDescription":"","twImgId":"","socialTitle":"Book Review: ‘The Library Thief’ by Kuchenga Shenjé %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"A 19th-Century Bookbinder Struggles With Race and Identity in ‘The Library Thief’","datePublished":"2024-05-10T14:16:07-07:00","dateModified":"2024-05-10T14:16:07-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"1250437849","nprHtmlLink":"https://www.npr.org/2024/05/10/1250437849/kuchenga-shenje-the-library-thief-book-review","nprRetrievedStory":"1","nprPubDate":"2024-05-10T12:50:14-04:00","nprStoryDate":"2024-05-10T12:50:14-04:00","nprLastModifiedDate":"2024-05-10T12:50:14-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13957646/book-review-the-library-thief-kuchenga-shenje-historical-fiction","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13957647\" class=\"wp-caption aligncenter\" style=\"max-width: 990px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957647\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68.jpg\" alt=\"A book cover illustration shows a woman in late 19th century dress standing between tall stacks of books before a huge window.\" width=\"990\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68.jpg 990w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68-800x1212.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/library_custom-1f630ee97d978db420c30a9463c898c40f1cdc68-768x1164.jpg 768w\" sizes=\"(max-width: 990px) 100vw, 990px\">\u003cfigcaption class=\"wp-caption-text\">‘The Library Thief’ by Kuchenga Shenjé. \u003ccite>(Hanover Square Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The examination of race and identity can be seen throughout literature, and increasingly today.\u003c/p>\n\u003cp>In her debut novel, \u003cem>The Library Thief\u003c/em>, Kuchenga Shenjé explores these concepts — and the associated expectations that arise when society demands that every group be neatly categorized. Shenjé delves into the past in this work of historical fiction, posing inquiries about Black people’s lives in the Victorian era.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956715","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In this 19th-century English story, Florence, an ambitious bookbinder, is expelled from her family home by her harsh and unforgiving father for being with a young man. Florence, a clever and savvy woman, persuades Lord Francis Belfield to let her stay at Rose Hall manor by promising to restore the priceless books in his library in time for an impending sale, assuring him that she is just as skilled as her father. Among Lord Belfield’s minimal staff, Florence stands out as an educated, liberal woman.\u003c/p>\n\u003cp>But Florence is not as polished as she wants her new acquaintances to believe. Being raised by a single father and not knowing her mother, whom she was told is dead, has fostered an emptiness in Florence she thought she could fill with books. She’s adrift and feels unloved. This fragile foundation is fertile ground for the harrowing experiences Florence faces during her stay at the manor.\u003c/p>\n\u003cp>Florence arrives at Rose Hall to find that Lord Banfeild’s wife has died, and the new widower is beside himself with grief. Immediately, Florence finds herself in the middle of a tightly woven plot of family secrets and lies that conveniently shroud the lives of the upper class. She becomes fixated on Lady Persephone’s death and starts investigating suspicious activities around it. During her investigation, she uncovers some dark Banfield family secrets, which include violence, abuse, and “passing” family members. This journey of discovery forces Florence to confront her own identity and the mysteries surrounding her life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some characters in this novel intentionally or unintentionally pass as white because they find it easier than living as a Black person in Victorian England. While the topic of “passing” is frequently explored in literature set in the 1920s and 30s, Shenjé delves into what it means to be a Black person passing in the 19th century. She explores this theme in multiple ways: One character completely abandons their family to live as a white man, another maintains contact with her family but uses her husband’s wealth and influence to hide in plain sight, and the third, and perhaps most intriguing, character lives as a white person without knowing they were actually Black.\u003c/p>\n\u003cp>Florence is uncertain about her own race, and she passionately advocates for the rights of Black people. She often becomes offended by the viewpoints of her friends, neighbors, and even their pastor towards Black people. Florence grew up in a white community and had limited interactions with Black people, other than through books until she met Lady Persephone’s lady’s maid — a beautiful, charming, and highly educated Black woman. “How could a whole sector of humanity once viewed as animals now be writing books and teaching universities and the like? We had been lied to,” she says after a particularly awful sermon propagating the inferiority of African people.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956128","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>At times, Shenjé’s use of language attempting at inclusivity fails to achieve what appears to be the intended effect. The discussion of gender roles in a highly complex way seems forced and unrealistic. This is especially so when such language and philosophizing are attributed to certain characters in particular.\u003c/p>\n\u003cp>While \u003cem>The Library Thief\u003c/em> doesn’t exactly break new ground when it comes to exploring issues of race and identity, it does have some entertaining elements. Wesley is a standout character who should have received more attention. If a movie adaptation of the character were ever to happen, Patrick Walshe McBride would be an excellent choice to play the part. Shenjé also did an fantastic job planting hints throughout the story that lead to the main character’s true identity. The best part of the book is the unexpected twist at the end that ties up the murder mystery. Kudos to Shenjé for that surprise ending.\u003c/p>\n\u003cp>\u003cem>Keishel Williams is a Trinidadian American book reviewer, arts & culture writer, and editor.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Library Thief’ by Kuchenga Shenjé (Hanover Square Press) is out now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957646/book-review-the-library-thief-kuchenga-shenje-historical-fiction","authors":["92"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_5221","arts_769","arts_585","arts_5292"],"affiliates":["arts_137"],"featImg":"arts_13957650","label":"arts_140"},"arts_13957460":{"type":"posts","id":"arts_13957460","meta":{"index":"posts_1591205157","site":"arts","id":"13957460","score":null,"sort":[1715200055000]},"guestAuthors":[],"slug":"beautifully-acted-shardlake-brings-500-year-old-tudor-intrigue-into-the-present-day","title":"Beautifully Acted ‘Shardlake’ Brings 500-Year-Old Tudor Intrigue Into the Present Day","publishDate":1715200055,"format":"standard","headTitle":"Beautifully Acted ‘Shardlake’ Brings 500-Year-Old Tudor Intrigue Into the Present Day | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>We live in discordant times, which may be why the turbulent reign of King Henry VIII has enjoyed a revival over the last few years. We’ve had the gleefully trashy TV series \u003ca href=\"https://www.npr.org/2008/03/28/89182466/the-tudors-battles-with-the-truth\">\u003cem>The Tudors\u003c/em>\u003c/a>, the Tony-winning Broadway musical \u003ca href=\"https://www.npr.org/2022/09/01/1120101041/six-the-musical-tiny-desk-concert\">\u003cem>Six\u003c/em>\u003c/a> and — at the high end of achievement — \u003ca href=\"https://www.npr.org/2022/09/23/1124682328/hilary-mantel-author-wolf-hall-dies\">Hilary Mantel\u003c/a>‘s trilogy about Henry’s right-hand-man Thomas Cromwell.\u003c/p>\n\u003cp>Now comes the new Hulu mystery series \u003cem>Shardlake, \u003c/em>based on C.J. Sansom’s first novel in a series about a crime-solving lawyer in 16th-century England. As a rule, I hate historical mysteries and I feared that \u003cem>Shardlake\u003c/em> would serve up the Tudor era’s usual cavalcade of castles, codpieces, clopping horses and quasi-Shakespearean lingo — “Prithee, stop, sirrah!” But to my surprise this odd, beautifully acted show pulled me in.\u003c/p>\n\u003cp>[aside postid='arts_13956737']Arthur Hughes stars as Matthew Shardlake, a bitingly intense London barrister known for his brains and for the curved spine that leads the world to undervalue him. One who sees his value is the king’s minister Thomas Cromwell — played by a domineering Sean Bean — a dangerous man who’s busy stripping the assets of the Catholic church and claiming them for the Crown.\u003c/p>\n\u003cp>As the action begins, Cromwell has just had his envoy murdered in a coastal monastery. He sends Shardlake to find the killer and, in the process, to find evidence of monkish malfeasance that will justify seizing the monastery’s holdings. To keep Shardlake on his toes, he sends along one of his henchmen, brash, impulsive Jack Barak. That’s Anthony Boyle, who plays John Wilkes Booth in the current series \u003ca href=\"https://www.kqed.org/arts/13954052/abraham-lincoln-assassination-plot-apple-tv-show-review-mary-simms\">\u003cem>Manhunt\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Because the monastery is filled with Catholic monks who hate the Protestant king, things are tricky there from the get-go. Not only do Shardlake and Jack keep being lied to, but the murders are just beginning. As they investigate, they both grow smitten with a servant — played by Ruby Ashbourne Serkis — and they start to develop one of those classic detective story partnerships between a brilliant misfit and an earthier, ordinary guy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bDGNwIM0r9g\u003c/p>\n\u003cp>Now, I don’t want to oversell \u003cem>Shardlake\u003c/em>. As a historical show, it lacks the sweeping grandeur of \u003ca href=\"https://www.npr.org/2024/02/27/1233992898/shogun-review-fx\">\u003cem>Shogun\u003c/em>\u003c/a>, another period drama that reminds us that Protestants and Catholics were once at each other’s throats. Nor does it approach Mantel’s richly vibrant vision of Henry VIII’s England, with its divisions and hatreds and social climbing.\u003c/p>\n\u003cp>Yet it has a strong historical atmosphere, especially in showing how Shardlake and Jack find themselves squeezed by powerful forces around them. Both believe they’re doing the right thing in helping Cromwell seize Catholic wealth, thinking it should go to England’s countless poor people. At the same time, they come to realize that, in Cromwell, they’re working for an utterly ruthless politician, one who may have played a key role in setting up Anne Boleyn, whose beheading figures into the plot here.\u003c/p>\n\u003cp>[aside postid='arts_13956944']The show’s finest moments lie in the byplay between its lead actors, played by two of Britain’s rising stars. As the cocky Jack — a lad risen from the streets and terrified of sinking back — Boyle deftly straddles the line between likable and not. You see why he’s been cast to star as a charismatic IRA leader in the upcoming TV adaptation of \u003ca href=\"https://www.npr.org/2021/04/14/986736258/journalist-investigates-crime-story-of-the-sackler-family-and-the-opioid-crisis\">Patrick Radden Keefe\u003c/a>‘s book \u003ca href=\"https://www.npr.org/2019/02/25/697727036/say-nothing-is-a-timely-warning-that-irelands-old-wounds-are-easily-opened\">\u003cem>Say Nothing\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Jack’s extroversion pairs nicely with the tightly wound Shardlake, whose smile is almost a wince. Hughes was the first actor with a disability to ever play Richard III for the Royal Shakespeare Company — he was born with radial dysplasia affecting his right arm — and he doubtless understands Shardlake’s pride in the face of what some consider his physical imperfection. “I’m known for my gait,” Shardlake says. “It is I, and I embrace it.”\u003c/p>\n\u003cp>Such self-assertion is profoundly modern, and for all its Tudor trappings, \u003cem>Shardlake\u003c/em> is filled with present day resonances — not least in its portrait of Cromwell who claims to speak for the people but actually works on behalf of the elite. “The truth must be what we want it to be,” Cromwell declares, and though Shardlake knows this is \u003cem>un\u003c/em>-true, he also knows that saying so can get a man killed.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Shardlake’ is streaming now on Disney+ and Hulu.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A barrister in Henry VIII's England finds himself investigating a murder in a monastery in this new new four-part series.","status":"publish","parent":0,"modified":1715196465,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":772},"headData":{"title":"‘Shardlake’ Review: Disney+ Show Brings Tudor Intrigue to Today | KQED","description":"A barrister in Henry VIII's England finds himself investigating a murder in a monastery in this new new four-part series.","ogTitle":"Beautifully Acted ‘Shardlake’ Brings 500-Year-Old Tudor Intrigue Into the Present Day","ogDescription":"","ogImgId":"","twTitle":"Beautifully Acted ‘Shardlake’ Brings 500-Year-Old Tudor Intrigue Into the Present Day","twDescription":"","twImgId":"","socialTitle":"‘Shardlake’ Review: Disney+ Show Brings Tudor Intrigue to Today%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Beautifully Acted ‘Shardlake’ Brings 500-Year-Old Tudor Intrigue Into the Present Day","datePublished":"2024-05-08T13:27:35-07:00","dateModified":"2024-05-08T12:27:45-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"John Powers, NPR","nprStoryId":"1248646691","nprHtmlLink":"https://www.npr.org/2024/05/08/1248646691/shardlake-review-hulu-cj-sansom","nprRetrievedStory":"1","nprPubDate":"2024-05-08T11:01:27-04:00","nprStoryDate":"2024-05-08T11:01:27-04:00","nprLastModifiedDate":"2024-05-08T13:24:49-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2024/05/20240508_fa_02.mp3?d=405&size=6486353&e=1248646691&t=progseg&seg=2&p=13","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957460/beautifully-acted-shardlake-brings-500-year-old-tudor-intrigue-into-the-present-day","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2024/05/20240508_fa_02.mp3?d=405&size=6486353&e=1248646691&t=progseg&seg=2&p=13","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We live in discordant times, which may be why the turbulent reign of King Henry VIII has enjoyed a revival over the last few years. We’ve had the gleefully trashy TV series \u003ca href=\"https://www.npr.org/2008/03/28/89182466/the-tudors-battles-with-the-truth\">\u003cem>The Tudors\u003c/em>\u003c/a>, the Tony-winning Broadway musical \u003ca href=\"https://www.npr.org/2022/09/01/1120101041/six-the-musical-tiny-desk-concert\">\u003cem>Six\u003c/em>\u003c/a> and — at the high end of achievement — \u003ca href=\"https://www.npr.org/2022/09/23/1124682328/hilary-mantel-author-wolf-hall-dies\">Hilary Mantel\u003c/a>‘s trilogy about Henry’s right-hand-man Thomas Cromwell.\u003c/p>\n\u003cp>Now comes the new Hulu mystery series \u003cem>Shardlake, \u003c/em>based on C.J. Sansom’s first novel in a series about a crime-solving lawyer in 16th-century England. As a rule, I hate historical mysteries and I feared that \u003cem>Shardlake\u003c/em> would serve up the Tudor era’s usual cavalcade of castles, codpieces, clopping horses and quasi-Shakespearean lingo — “Prithee, stop, sirrah!” But to my surprise this odd, beautifully acted show pulled me in.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956737","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Arthur Hughes stars as Matthew Shardlake, a bitingly intense London barrister known for his brains and for the curved spine that leads the world to undervalue him. One who sees his value is the king’s minister Thomas Cromwell — played by a domineering Sean Bean — a dangerous man who’s busy stripping the assets of the Catholic church and claiming them for the Crown.\u003c/p>\n\u003cp>As the action begins, Cromwell has just had his envoy murdered in a coastal monastery. He sends Shardlake to find the killer and, in the process, to find evidence of monkish malfeasance that will justify seizing the monastery’s holdings. To keep Shardlake on his toes, he sends along one of his henchmen, brash, impulsive Jack Barak. That’s Anthony Boyle, who plays John Wilkes Booth in the current series \u003ca href=\"https://www.kqed.org/arts/13954052/abraham-lincoln-assassination-plot-apple-tv-show-review-mary-simms\">\u003cem>Manhunt\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Because the monastery is filled with Catholic monks who hate the Protestant king, things are tricky there from the get-go. Not only do Shardlake and Jack keep being lied to, but the murders are just beginning. As they investigate, they both grow smitten with a servant — played by Ruby Ashbourne Serkis — and they start to develop one of those classic detective story partnerships between a brilliant misfit and an earthier, ordinary guy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bDGNwIM0r9g'\n title='//www.youtube.com/embed/bDGNwIM0r9g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Now, I don’t want to oversell \u003cem>Shardlake\u003c/em>. As a historical show, it lacks the sweeping grandeur of \u003ca href=\"https://www.npr.org/2024/02/27/1233992898/shogun-review-fx\">\u003cem>Shogun\u003c/em>\u003c/a>, another period drama that reminds us that Protestants and Catholics were once at each other’s throats. Nor does it approach Mantel’s richly vibrant vision of Henry VIII’s England, with its divisions and hatreds and social climbing.\u003c/p>\n\u003cp>Yet it has a strong historical atmosphere, especially in showing how Shardlake and Jack find themselves squeezed by powerful forces around them. Both believe they’re doing the right thing in helping Cromwell seize Catholic wealth, thinking it should go to England’s countless poor people. At the same time, they come to realize that, in Cromwell, they’re working for an utterly ruthless politician, one who may have played a key role in setting up Anne Boleyn, whose beheading figures into the plot here.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956944","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The show’s finest moments lie in the byplay between its lead actors, played by two of Britain’s rising stars. As the cocky Jack — a lad risen from the streets and terrified of sinking back — Boyle deftly straddles the line between likable and not. You see why he’s been cast to star as a charismatic IRA leader in the upcoming TV adaptation of \u003ca href=\"https://www.npr.org/2021/04/14/986736258/journalist-investigates-crime-story-of-the-sackler-family-and-the-opioid-crisis\">Patrick Radden Keefe\u003c/a>‘s book \u003ca href=\"https://www.npr.org/2019/02/25/697727036/say-nothing-is-a-timely-warning-that-irelands-old-wounds-are-easily-opened\">\u003cem>Say Nothing\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Jack’s extroversion pairs nicely with the tightly wound Shardlake, whose smile is almost a wince. Hughes was the first actor with a disability to ever play Richard III for the Royal Shakespeare Company — he was born with radial dysplasia affecting his right arm — and he doubtless understands Shardlake’s pride in the face of what some consider his physical imperfection. “I’m known for my gait,” Shardlake says. “It is I, and I embrace it.”\u003c/p>\n\u003cp>Such self-assertion is profoundly modern, and for all its Tudor trappings, \u003cem>Shardlake\u003c/em> is filled with present day resonances — not least in its portrait of Cromwell who claims to speak for the people but actually works on behalf of the elite. “The truth must be what we want it to be,” Cromwell declares, and though Shardlake knows this is \u003cem>un\u003c/em>-true, he also knows that saying so can get a man killed.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Shardlake’ is streaming now on Disney+ and Hulu.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957460/beautifully-acted-shardlake-brings-500-year-old-tudor-intrigue-into-the-present-day","authors":["byline_arts_13957460"],"programs":["arts_140"],"categories":["arts_1","arts_75","arts_990"],"tags":["arts_10157","arts_15812","arts_769","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13957461","label":"arts_140"},"arts_13957475":{"type":"posts","id":"arts_13957475","meta":{"index":"posts_1591205157","site":"arts","id":"13957475","score":null,"sort":[1715196173000]},"guestAuthors":[],"slug":"steve-albini-iconoclastic-rock-musician-and-engineer-dies-at-61","title":"Steve Albini, Iconoclastic Rock Musician and Engineer, Dies at 61","publishDate":1715196173,"format":"standard","headTitle":"Steve Albini, Iconoclastic Rock Musician and Engineer, Dies at 61 | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Steve Albini, renowned for decades as a distinctive underground musician and recording engineer, died Tuesday night of a heart attack. Staff at his Chicago recording studio, Electrical Audio, confirmed news of his death with NPR. Albini was 61 years old.\u003c/p>\n\u003cp>As a performer, he fronted Shellac and Big Black, two indie-rock bands that pushed punk and noise past absurd and abrasive limits. Albini famously did not like to be called a “producer,” but he worked on — by \u003ca href=\"https://web.archive.org/web/20180625075305/https://www.freepresshouston.com/the-steve-albini-interview/\">his own estimate\u003c/a> — “a couple thousand” albums as a recording engineer, including classics like the Pixies’ \u003cem>Surfer Rosa\u003c/em>, Nirvana’s \u003cem>In Utero\u003c/em> and PJ Harvey’s \u003cem>Rid of Me\u003c/em>.\u003c/p>\n\u003cp>Shellac’s sixth studio album,\u003cem> To All Trains\u003c/em>, is set to be released May 17.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Albini led abrasive alternative bands and recorded albums for Nirvana, Pixies and Jawbreaker, among a multitude of others.","status":"publish","parent":0,"modified":1715196173,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":134},"headData":{"title":"Steve Albini, Underground Musician and Engineer, Dies at 61 | KQED","description":"Albini led abrasive alternative bands and recorded albums for Nirvana, Pixies and Jawbreaker, among a multitude of others.","ogTitle":"Steve Albini, Iconoclastic Rock Musician and Engineer, Dies at 61","ogDescription":"","ogImgId":"","twTitle":"Steve Albini, Iconoclastic Rock Musician and Engineer, Dies at 61","twDescription":"","twImgId":"","socialTitle":"Steve Albini, Underground Musician and Engineer, Dies at 61 %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Steve Albini, Iconoclastic Rock Musician and Engineer, Dies at 61","datePublished":"2024-05-08T12:22:53-07:00","dateModified":"2024-05-08T12:22:53-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Lars Gotrich, NPR","nprStoryId":"1249976709","nprHtmlLink":"https://www.npr.org/2024/05/08/1249976709/steve-albini-iconoclastic-rock-musician-and-engineer-dies-at-61","nprRetrievedStory":"1","nprPubDate":"2024-05-08T13:47:22-04:00","nprStoryDate":"2024-05-08T13:47:22-04:00","nprLastModifiedDate":"2024-05-08T13:47:22-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957475/steve-albini-iconoclastic-rock-musician-and-engineer-dies-at-61","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Steve Albini, renowned for decades as a distinctive underground musician and recording engineer, died Tuesday night of a heart attack. Staff at his Chicago recording studio, Electrical Audio, confirmed news of his death with NPR. Albini was 61 years old.\u003c/p>\n\u003cp>As a performer, he fronted Shellac and Big Black, two indie-rock bands that pushed punk and noise past absurd and abrasive limits. Albini famously did not like to be called a “producer,” but he worked on — by \u003ca href=\"https://web.archive.org/web/20180625075305/https://www.freepresshouston.com/the-steve-albini-interview/\">his own estimate\u003c/a> — “a couple thousand” albums as a recording engineer, including classics like the Pixies’ \u003cem>Surfer Rosa\u003c/em>, Nirvana’s \u003cem>In Utero\u003c/em> and PJ Harvey’s \u003cem>Rid of Me\u003c/em>.\u003c/p>\n\u003cp>Shellac’s sixth studio album,\u003cem> To All Trains\u003c/em>, is set to be released May 17.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957475/steve-albini-iconoclastic-rock-musician-and-engineer-dies-at-61","authors":["byline_arts_13957475"],"categories":["arts_1","arts_69","arts_1564"],"affiliates":["arts_137"],"featImg":"arts_13957476","label":"arts_137"},"arts_13957370":{"type":"posts","id":"arts_13957370","meta":{"index":"posts_1591205157","site":"arts","id":"13957370","score":null,"sort":[1715107270000]},"guestAuthors":[],"slug":"katy-perry-met-gala-2024-ai-photo-viral-fake-fashion","title":"Katy Perry’s Own Mom Fell for Her Met Gala AI Photo. Do You Know What to Look for?","publishDate":1715107270,"format":"standard","headTitle":"Katy Perry’s Own Mom Fell for Her Met Gala AI Photo. Do You Know What to Look for? | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Some of the biggest names in music, entertainment and fashion assembled in New York City for Monday’s \u003ca href=\"https://www.kqed.org/arts/13957112/where-to-watch-met-gala-2024-zendaya-best-red-carpet-looks\">“Garden of Time”-themed Met Gala\u003c/a>, decked out in flowers, sparkles and extravagant timepieces.\u003c/p>\n\u003cp>Contrary to the images circulating on social media, Katy Perry was not one of them.\u003c/p>\n\u003cp>“Couldn’t make it to the MET, had to work,” the singer \u003ca href=\"https://www.instagram.com/p/C6pivKUNWxQ/?img_index=5\">posted on Instagram\u003c/a>, alongside a video of herself singing in the studio — as well as two photos seemingly showing her at the gala.\u003c/p>\n\u003cp>They were actually made with AI.\u003c/p>\n\u003cp>https://twitter.com/jxries/status/1787603212075233371\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the first, Perry appears to be standing on a hedge-lined red carpet at the Met, wearing an elaborate ball gown covered in flowers and butterflies, with her dark hair styled in long waves. In the second, a close-up shot, Perry is wearing a metallic corset top with a large key handle down the middle and a short skirt of flowers and leaves, her hair straight and tousled.\u003c/p>\n\u003cp>The photos — whose exact origin is unclear — made a splash on X (formerly known as Twitter) earlier in the night, as viewers at home refreshed their feeds and weighed in on their favorite celebrity fits.\u003c/p>\n\u003cp>One \u003ca href=\"https://x.com/jxries/status/1787603212075233371\">X post\u003c/a> of the ball gown photo had over 300,000 likes and nearly 70,000 reposts as of Tuesday morning — and a note at the bottom clarifying that it was created with AI. Another post, \u003ca href=\"https://x.com/wanthatoo/status/1787604418956754956\">of the corset outfit\u003c/a>, garnered over 100,000 likes and was eventually labeled “digitally created.”\u003c/p>\n\u003cp>https://twitter.com/wanthatoo/status/1787604418956754956\u003c/p>\n\u003cp>Perry is a regular Met Gala attendee (and famous for dressing on-theme, including as a \u003ca href=\"https://www.vogue.com/slideshow/katy-perry-best-met-gala-looks\">chandelier and hamburger\u003c/a> in recent years), so internet observers would be forgiven for assuming she was there on Monday.\u003c/p>\n\u003cp>Even Perry’s mom, Mary Hudson, thought so. One of the posts in the singer’s Instagram carousel was a screenshot of a text conversation between the two.\u003c/p>\n\u003cp>[aside postid='arts_13957112']“Didn’t know you went to the Met,” her mom wrote. “What a gorgeous gown, you look like the Rose Parade, you are your own float lol.”\u003c/p>\n\u003cp>Perry was quick to clear things up.\u003c/p>\n\u003cp>“Lol mom the AI got you too,” she replied. “BEWARE!”\u003c/p>\n\u003cp>AI-generated images are increasingly easy to make, and celebrity deep fakes are increasingly prevalent — from sexually explicit \u003ca href=\"https://natlawreview.com/article/why-taylor-swift-ai-scandal-pushing-lawmakers-address-pornographic-deepfakes\">deep fakes of Taylor Swift\u003c/a> circulating earlier this year to \u003ca href=\"https://www.npr.org/2024/01/22/1226129926/nh-primary-biden-ai-robocall\">robocalls imitating President Biden\u003c/a> ahead of the New Hampshire primary.\u003c/p>\n\u003cp>In fact, Perry wasn’t the only star to be basically photoshopped onto the Met Gala red carpet: A viral X post claimed to show an elaborately dressed Rihanna in attendance, when she was actually home \u003ca href=\"https://www.eonline.com/news/1400722/why-rihanna-skipped-met-gala-2024-at-the-last-minute\">sick with the flu\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/tereluprados/status/1787618574564999346\u003c/p>\n\u003cp>Another purported to show Lady Gaga, who hasn’t been there \u003ca href=\"https://www.kqed.org/arts/13856751/camp-lgbtq-celebs-shut-down-the-2019-met-gala\">since 2019\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/he_so_candid/status/1787608442116472883\u003c/p>\n\u003cp>And before the gala, \u003ca href=\"https://x.com/duasmoker/status/1787606705380917712\">photos circulated of Dua Lipa\u003c/a> wearing bangs and a corset, only for her to show up on the carpet with crimson hair and an all-black ensemble — and for an X user to point out the early photos were from a \u003ca href=\"https://www.vogue.com/article/dua-lipa-demeanor-video-marie-antoinette\">2021 \u003cem>Vogue\u003c/em> shoot\u003c/a>.\u003c/p>\n\u003cp>While some social media users dismissed the Met Gala fakes as part of the fun, others see them as a worrisome sign of what could lie ahead.\u003c/p>\n\u003cp>Experts warn AI-generated deep fakes pose a threat to everything from \u003ca href=\"https://www.npr.org/2024/02/16/1232001889/ai-deepfakes-election-tech-accord\">election security\u003c/a> to \u003ca href=\"https://www.npr.org/2023/03/22/1165448073/voice-clones-ai-scams-ftc\">everyday scams\u003c/a>. And just last month, more than 200 artists — including Perry herself — \u003ca href=\"https://artistrightsnow.medium.com/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac\">signed a letter\u003c/a> urging tech platforms and digital music services to stop using AI to “infringe upon and devalue the rights of human artists.”\u003c/p>\n\u003ch3>How to tell if an image is fake (or at least suspicious)\u003c/h3>\n\u003cp>So what clues should Mary Hudson — and other discerning viewers — be looking for to spot potential fakes?\u003c/p>\n\u003cp>[aside postid='arts_13952796']Sam Gregory of the nonprofit Witness, which helps people use video and technology to protect human rights, encourages viewers to rely on context and intuition in situations like this one.\u003c/p>\n\u003cp>“My starting point with all images like [Perry’s] is to not trust the online detectors as there are too many variables around whether they give an accurate result,” he explained over email.\u003c/p>\n\u003cp>He said when he ran both Perry images through a widely-used detector, the flower dress came back as “likely human” and the corset as “likely AI generated.” He also discourages people from looking for visual clues in these kinds of images, saying that can “lead down a rabbit hole of unproductive forensic skepticism.”\u003c/p>\n\u003cp>With a high-profile event like the Met Gala, Gregory says, it’s best to use “classic media literacy and verification approaches.” In this case, that could mean looking for more proof of Perry’s attendance, from a variety of sources.\u003c/p>\n\u003cp>“Although some media literacy strategies like checking the source might lead us astray — perhaps we do trust Katy Perry to share real images of herself — if we use another strategy and look for other images from the same event from reliable sources, we’d quickly see this isn’t real,” he explained.\u003c/p>\n\u003cp>He adds that it reminds him of the AI-created images of a \u003ca href=\"https://www.npr.org/2023/05/22/1177590231/fake-viral-images-of-an-explosion-at-the-pentagon-were-probably-created-by-ai\">fire at the Pentagon\u003c/a> that went viral last year. In both cases, he says, the first question people should ask themselves is not whether they can spot the AI glitches in the photo, but “Why aren’t there other photos and videos of this event in a highly populated area?”\u003c/p>\n\u003cp>[aside postid='arts_13932477']But the bigger question, as Gregory sees it, is whether the public should be expected to do this at all.\u003c/p>\n\u003cp>“Why wouldn’t Katy Perry be at the Met Gala and why would we second-guess that, particularly if she’s part of the deception?” he says.\u003c/p>\n\u003cp>More help may be coming from social media platforms, amid growing concerns about the potential for AI to mislead users. Meta said earlier this year that it would start \u003ca href=\"https://www.npr.org/2024/02/06/1229317971/meta-labeling-ai-generated-images-instagram-facebook-artificial-intelligence\">labeling AI-generated images\u003c/a> on Facebook, Instagram and Threads, \u003ca href=\"https://about.fb.com/news/2024/04/metas-approach-to-labeling-ai-generated-content-and-manipulated-media/\">beginning in May\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But for now — and as always — keeping your guard up is key. If you need some more pointers, check out these expert tips on how to spot \u003ca href=\"https://www.npr.org/2023/06/07/1180768459/how-to-identify-ai-generated-deepfake-images\">AI-generated images\u003c/a> and \u003ca href=\"https://www.npr.org/2024/04/01/1241657867/april-fools-day-online-misinformation\">avoid getting tricked online\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"Katy Perry, Rihanna and Lady Gaga weren't at the Met Gala despite AI-generated red carpet photos of them circulating online.","status":"publish","parent":0,"modified":1715107270,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1093},"headData":{"title":"How to Spot Fake Images of Real Celebrities, Concocted By AI | KQED","description":"Katy Perry, Rihanna and Lady Gaga weren't at the Met Gala despite AI-generated red carpet photos of them circulating online.","ogTitle":"Katy Perry’s Own Mom Fell for Her Met Gala AI Photo. Do You Know What to Look for?","ogDescription":"","ogImgId":"","twTitle":"Katy Perry’s Own Mom Fell for Her Met Gala AI Photo. Do You Know What to Look for?","twDescription":"","twImgId":"","socialTitle":"How to Spot Fake Images of Real Celebrities, Concocted By AI %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Katy Perry’s Own Mom Fell for Her Met Gala AI Photo. Do You Know What to Look for?","datePublished":"2024-05-07T11:41:10-07:00","dateModified":"2024-05-07T11:41:10-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Rachel Treisman, NPR","nprStoryId":"1249570785","nprHtmlLink":"https://www.npr.org/2024/05/07/1249570785/katy-perry-met-gala-deepfake","nprRetrievedStory":"1","nprPubDate":"2024-05-07T10:33:30-04:00","nprStoryDate":"2024-05-07T10:33:30-04:00","nprLastModifiedDate":"2024-05-07T11:59:56-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957370/katy-perry-met-gala-2024-ai-photo-viral-fake-fashion","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Some of the biggest names in music, entertainment and fashion assembled in New York City for Monday’s \u003ca href=\"https://www.kqed.org/arts/13957112/where-to-watch-met-gala-2024-zendaya-best-red-carpet-looks\">“Garden of Time”-themed Met Gala\u003c/a>, decked out in flowers, sparkles and extravagant timepieces.\u003c/p>\n\u003cp>Contrary to the images circulating on social media, Katy Perry was not one of them.\u003c/p>\n\u003cp>“Couldn’t make it to the MET, had to work,” the singer \u003ca href=\"https://www.instagram.com/p/C6pivKUNWxQ/?img_index=5\">posted on Instagram\u003c/a>, alongside a video of herself singing in the studio — as well as two photos seemingly showing her at the gala.\u003c/p>\n\u003cp>They were actually made with AI.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1787603212075233371"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the first, Perry appears to be standing on a hedge-lined red carpet at the Met, wearing an elaborate ball gown covered in flowers and butterflies, with her dark hair styled in long waves. In the second, a close-up shot, Perry is wearing a metallic corset top with a large key handle down the middle and a short skirt of flowers and leaves, her hair straight and tousled.\u003c/p>\n\u003cp>The photos — whose exact origin is unclear — made a splash on X (formerly known as Twitter) earlier in the night, as viewers at home refreshed their feeds and weighed in on their favorite celebrity fits.\u003c/p>\n\u003cp>One \u003ca href=\"https://x.com/jxries/status/1787603212075233371\">X post\u003c/a> of the ball gown photo had over 300,000 likes and nearly 70,000 reposts as of Tuesday morning — and a note at the bottom clarifying that it was created with AI. Another post, \u003ca href=\"https://x.com/wanthatoo/status/1787604418956754956\">of the corset outfit\u003c/a>, garnered over 100,000 likes and was eventually labeled “digitally created.”\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1787604418956754956"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Perry is a regular Met Gala attendee (and famous for dressing on-theme, including as a \u003ca href=\"https://www.vogue.com/slideshow/katy-perry-best-met-gala-looks\">chandelier and hamburger\u003c/a> in recent years), so internet observers would be forgiven for assuming she was there on Monday.\u003c/p>\n\u003cp>Even Perry’s mom, Mary Hudson, thought so. One of the posts in the singer’s Instagram carousel was a screenshot of a text conversation between the two.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957112","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Didn’t know you went to the Met,” her mom wrote. “What a gorgeous gown, you look like the Rose Parade, you are your own float lol.”\u003c/p>\n\u003cp>Perry was quick to clear things up.\u003c/p>\n\u003cp>“Lol mom the AI got you too,” she replied. “BEWARE!”\u003c/p>\n\u003cp>AI-generated images are increasingly easy to make, and celebrity deep fakes are increasingly prevalent — from sexually explicit \u003ca href=\"https://natlawreview.com/article/why-taylor-swift-ai-scandal-pushing-lawmakers-address-pornographic-deepfakes\">deep fakes of Taylor Swift\u003c/a> circulating earlier this year to \u003ca href=\"https://www.npr.org/2024/01/22/1226129926/nh-primary-biden-ai-robocall\">robocalls imitating President Biden\u003c/a> ahead of the New Hampshire primary.\u003c/p>\n\u003cp>In fact, Perry wasn’t the only star to be basically photoshopped onto the Met Gala red carpet: A viral X post claimed to show an elaborately dressed Rihanna in attendance, when she was actually home \u003ca href=\"https://www.eonline.com/news/1400722/why-rihanna-skipped-met-gala-2024-at-the-last-minute\">sick with the flu\u003c/a>.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1787618574564999346"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Another purported to show Lady Gaga, who hasn’t been there \u003ca href=\"https://www.kqed.org/arts/13856751/camp-lgbtq-celebs-shut-down-the-2019-met-gala\">since 2019\u003c/a>.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1787608442116472883"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And before the gala, \u003ca href=\"https://x.com/duasmoker/status/1787606705380917712\">photos circulated of Dua Lipa\u003c/a> wearing bangs and a corset, only for her to show up on the carpet with crimson hair and an all-black ensemble — and for an X user to point out the early photos were from a \u003ca href=\"https://www.vogue.com/article/dua-lipa-demeanor-video-marie-antoinette\">2021 \u003cem>Vogue\u003c/em> shoot\u003c/a>.\u003c/p>\n\u003cp>While some social media users dismissed the Met Gala fakes as part of the fun, others see them as a worrisome sign of what could lie ahead.\u003c/p>\n\u003cp>Experts warn AI-generated deep fakes pose a threat to everything from \u003ca href=\"https://www.npr.org/2024/02/16/1232001889/ai-deepfakes-election-tech-accord\">election security\u003c/a> to \u003ca href=\"https://www.npr.org/2023/03/22/1165448073/voice-clones-ai-scams-ftc\">everyday scams\u003c/a>. And just last month, more than 200 artists — including Perry herself — \u003ca href=\"https://artistrightsnow.medium.com/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac\">signed a letter\u003c/a> urging tech platforms and digital music services to stop using AI to “infringe upon and devalue the rights of human artists.”\u003c/p>\n\u003ch3>How to tell if an image is fake (or at least suspicious)\u003c/h3>\n\u003cp>So what clues should Mary Hudson — and other discerning viewers — be looking for to spot potential fakes?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952796","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Sam Gregory of the nonprofit Witness, which helps people use video and technology to protect human rights, encourages viewers to rely on context and intuition in situations like this one.\u003c/p>\n\u003cp>“My starting point with all images like [Perry’s] is to not trust the online detectors as there are too many variables around whether they give an accurate result,” he explained over email.\u003c/p>\n\u003cp>He said when he ran both Perry images through a widely-used detector, the flower dress came back as “likely human” and the corset as “likely AI generated.” He also discourages people from looking for visual clues in these kinds of images, saying that can “lead down a rabbit hole of unproductive forensic skepticism.”\u003c/p>\n\u003cp>With a high-profile event like the Met Gala, Gregory says, it’s best to use “classic media literacy and verification approaches.” In this case, that could mean looking for more proof of Perry’s attendance, from a variety of sources.\u003c/p>\n\u003cp>“Although some media literacy strategies like checking the source might lead us astray — perhaps we do trust Katy Perry to share real images of herself — if we use another strategy and look for other images from the same event from reliable sources, we’d quickly see this isn’t real,” he explained.\u003c/p>\n\u003cp>He adds that it reminds him of the AI-created images of a \u003ca href=\"https://www.npr.org/2023/05/22/1177590231/fake-viral-images-of-an-explosion-at-the-pentagon-were-probably-created-by-ai\">fire at the Pentagon\u003c/a> that went viral last year. In both cases, he says, the first question people should ask themselves is not whether they can spot the AI glitches in the photo, but “Why aren’t there other photos and videos of this event in a highly populated area?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13932477","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But the bigger question, as Gregory sees it, is whether the public should be expected to do this at all.\u003c/p>\n\u003cp>“Why wouldn’t Katy Perry be at the Met Gala and why would we second-guess that, particularly if she’s part of the deception?” he says.\u003c/p>\n\u003cp>More help may be coming from social media platforms, amid growing concerns about the potential for AI to mislead users. Meta said earlier this year that it would start \u003ca href=\"https://www.npr.org/2024/02/06/1229317971/meta-labeling-ai-generated-images-instagram-facebook-artificial-intelligence\">labeling AI-generated images\u003c/a> on Facebook, Instagram and Threads, \u003ca href=\"https://about.fb.com/news/2024/04/metas-approach-to-labeling-ai-generated-content-and-manipulated-media/\">beginning in May\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But for now — and as always — keeping your guard up is key. If you need some more pointers, check out these expert tips on how to spot \u003ca href=\"https://www.npr.org/2023/06/07/1180768459/how-to-identify-ai-generated-deepfake-images\">AI-generated images\u003c/a> and \u003ca href=\"https://www.npr.org/2024/04/01/1241657867/april-fools-day-online-misinformation\">avoid getting tricked online\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957370/katy-perry-met-gala-2024-ai-photo-viral-fake-fashion","authors":["byline_arts_13957370"],"categories":["arts_1","arts_76","arts_69","arts_75"],"tags":["arts_22039","arts_11323","arts_22131","arts_1935"],"affiliates":["arts_137"],"featImg":"arts_13957371","label":"arts_137"},"arts_13957264":{"type":"posts","id":"arts_13957264","meta":{"index":"posts_1591205157","site":"arts","id":"13957264","score":null,"sort":[1715017516000]},"guestAuthors":[],"slug":"zillow-gone-wild-hgtv-review-jack-mcbrayer-fun-home-listings","title":"‘Zillow Gone Wild’ Brings Wacky Real Estate Listings to HGTV","publishDate":1715017516,"format":"standard","headTitle":"‘Zillow Gone Wild’ Brings Wacky Real Estate Listings to HGTV | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The real estate social media space is packed with influencers focusing on specific niches like \u003ca href=\"https://www.instagram.com/luxurymansions__/?hl=en\">luxury mansions\u003c/a>, \u003ca href=\"https://www.instagram.com/midcenturyhome/?hl=en\">mid-century moderns\u003c/a> or \u003ca href=\"https://www.instagram.com/cheapoldhouses/?hl=en\">inexpensive yet promising fixer-uppers\u003c/a>.\u003c/p>\n\u003cp>Within this crowded universe\u003cem>, \u003c/em>\u003ca href=\"https://www.instagram.com/zillowgonewild/?hl=en\">\u003cem>Zillow Gone Wild\u003c/em>\u003c/a> is a place to go if you’re in the market for, say, a home in Kansas City, Mo., shaped \u003ca href=\"https://www.tiktok.com/@zillowgonewild/video/7246469852041399594\">like a UFO\u003c/a>; a \u003ca href=\"https://www.tiktok.com/@zillowgonewild/video/7348164791539846446\">striking, angular residence\u003c/a> in Kalamazoo, Mich., designed in the late 1940s by Frank Lloyd Wright; or a recently built \u003ca href=\"https://www.tiktok.com/@zillowgonewild/video/7158117998404832555\">cruise ship\u003c/a> with close to 3,000 bedrooms. (Yes, there is an \u003ca href=\"https://www.zillow.com/house/royal-caribbean/\">actual Zillow listing\u003c/a> for this property.)\u003c/p>\n\u003cp>“Waking up to an ocean view in the actual ocean is the new best way to wake up,” says Samir Mezrahi, \u003cem>Zillow Gone Wild\u003c/em>‘s creator, in his deadpan TikTok commentary on this particularly mind-boggling property listing.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@zillowgonewild/video/7348164791539846446\" data-video-id=\"7348164791539846446\">\n\u003csection>\u003ca title=\"@zillowgonewild\" href=\"https://www.tiktok.com/@zillowgonewild?refer=embed\" target=\"_blank\" rel=\"noopener\">@zillowgonewild\u003c/a> Frank Lloyd Wright house for sale in Kalamazoo, MI for under $1 million!! \u003ca title=\"franklloydwright\" href=\"https://www.tiktok.com/tag/franklloydwright?refer=embed\" target=\"_blank\" rel=\"noopener\">#franklloydwright\u003c/a> \u003ca title=\"zillowgonewild\" href=\"https://www.tiktok.com/tag/zillowgonewild?refer=embed\" target=\"_blank\" rel=\"noopener\">#zillowgonewild\u003c/a> \u003ca title=\"realestate\" href=\"https://www.tiktok.com/tag/realestate?refer=embed\" target=\"_blank\" rel=\"noopener\">#realestate\u003c/a> \u003ca title=\"foryou\" href=\"https://www.tiktok.com/tag/foryou?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryou\u003c/a> \u003ca title=\"♬ Epic Music(863502) - Draganov89\" href=\"https://www.tiktok.com/music/Epic-Music-863502-6873501791145691137?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ Epic Music(863502) – Draganov89\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Mezrahi’s prominent account, which has several million followers across platforms, has now been spun off into an equally wild reality \u003ca href=\"https://www.hgtv.com/shows/zillow-gone-wild\">TV show\u003c/a>. The nine-episode series premiered on HGTV Friday, and is out now on Max.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As on social media, the \u003cem>Zillow Gone Wild\u003c/em> TV show is aimed at a general audience and focuses on homes that defy everyday expectations in some way — whether visible from the outside in the architecture, or hidden inside as part of the home decor.\u003c/p>\n\u003cp>[aside postid='arts_13956737']“It has to be something we’ve pretty much never seen before,” says Mezrahi, a former social media director at \u003cem>Buzzfeed\u003c/em>, in an interview with NPR.\u003c/p>\n\u003ch3>Setting a “wild” tone\u003c/h3>\n\u003cp>The first segment of the first episode sets the tone: Homeowner Andrew Flair shows off the converted U.S. military missile launch facility in York, Neb. The unusual property has very thick steel doors and no windows.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8qQ6fx2LIbc\u003c/p>\n\u003cp>“It’s all underground, covered in concrete, and if, for some reason, a bomb goes off, you’ll be safe,” Flair says on the show.\u003c/p>\n\u003cp>And in episode three, homeowner Kitty Reign tours viewers around the \u003cem>Pirates of the Caribbean\u003c/em>-themed residence in Las Vegas she’s selling. This swashbuckler’s paradise comes with a decorative wooden helm (“Everybody plays with it!”) and a tavern (“Kind of our own little secret pirate nightclub!”)\u003c/p>\n\u003cp>Hosted by comedian Jack McBrayer, who played Kenneth in \u003cem>30 Rock\u003c/em>, the show features 24 homes from around the country either up for sale or recently sold. But only one of them will be crowned the country’s “wildest” at the end of the series, as assessed by HGTV executives. Viewers who correctly guess the winning home can enter a pool for the chance to win $25,000.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/02/103_zillow-gone-wild_ships-ahoy_interior_custom-f5c7b8593923a6ac670b75e13ac958fe69d06cc5.jpg?s=1200&c=75&f=jpeg\" alt=\"Two women in short dresses stand in the middle of a room that looks like a pirate-themed bar. They are talking to a white man, wearing basic t-shirt and blue jeans.\" width=\"1200\" height=\"848\">\u003cfigcaption class=\"wp-caption-text\">Kitty Reign and her wife, Jennifer, show host Jack McBrayer around their ‘Pirates of the Caribbean’-themed house, as seen on HGTV’s new series ‘Zillow Gone Wild.’\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>The judging criteria include creativity, commitment to a concept or theme and a quality McBrayer describes as “wackadoo.”\u003c/p>\n\u003cp>“That special thing that sets this property apart,” says McBrayer on the show. “We reward impracticality.”\u003c/p>\n\u003ch3>The growth of an American pastime\u003c/h3>\n\u003cp>Ogling real estate listings on social media has become an enormously popular American pastime in recent years. \u003cem>Saturday Night Live\u003c/em> even did \u003ca href=\"https://www.youtube.com/watch?v=yEfsaXDX0UQ\">a skit\u003c/a> about the trend in 2021. (“The pleasure you once got from sex now comes from looking at other people’s houses.”)\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=yEfsaXDX0UQ&t=20s\u003c/p>\n\u003cp>Mezrahi, who’s based in New York, says he has long made a hobby of idly browsing Zillow. He started \u003cem>Zillow Gone Wild\u003c/em> as a side project in the fall of 2020, knowing it would probably catch on. Mezrahi initially launched it only on Instagram, but soon expanded his offering to Facebook, Twitter, TikTok and a newsletter.\u003c/p>\n\u003cp>[aside postid='arts_13952549']“It was, like, prime pandemic. Everyone’s working from home. Companies are saying you can live wherever you want,” Mezrahi says. “So people are moving, thinking about moving, or browsing Zillow just as a bored-on-your-phone thing. So I kind of felt like there was an audience of people out there that are also doing this.”\u003c/p>\n\u003cp>The rise of TV and online channels devoted to home buying and home improvement, together with the increasingly elaborate social media presence of individual real estate brokers promoting their listings, have further fed the trend.\u003c/p>\n\u003cp>“This is a time when a lot of people are thinking about where and how we want to live,” says Zillow’s home trends expert, Amanda Pendleton, in an interview with NPR. “And these social media accounts captured our imagination and redefined what a home can be.”\u003c/p>\n\u003ch3>“Wild” listings can be challenging for real estate brokers\u003c/h3>\n\u003cp>That “imagination capturing” quality is what makes \u003cem>Zillow Gone Wild\u003c/em> so compelling on TikTok and TV.\u003c/p>\n\u003cp>But when it comes to actually selling a property, eccentric architecture and festive home decor aren’t necessarily virtues.\u003c/p>\n\u003cp>“As a real estate broker, you kind of get nervous about that, because the resale value is not the greatest when you’re making it your own,” says San Francisco Bay Area-based realtor Ria Cotton in an interview with NPR. “It may not be liked by other people.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/02/jack-mcbrayer_zillow-gone-wild-39a4782504c66c17d993e2558052aad0bc9c8149.jpg?s=1200&c=75&f=jpeg\" alt=\"A white man smiling broadly stands on a spiral staircase with gold accents.\" width=\"1200\" height=\"900\">\u003cfigcaption class=\"wp-caption-text\">Host Jack McBrayer taking in the sights of the ‘Golden Saxophone House.’\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>While having a marketable property is preferable, Cotton admits the popularity of social media accounts like \u003cem>Zillow Gone Wild\u003c/em> shows there’s a growing appetite among homebuyers and potential homebuyers for the “wackadoo.”\u003c/p>\n\u003cp>“I think more and more people are kind of bored of the cookie-cutter way of doing things,” Cotton says.\u003c/p>\n\u003cp>Case in point: An unusual music-themed home in Berkeley, Calif., that Cotton recently brokered, featured in \u003cem>Zillow Gone Wild.\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13952420']The facade of the “Saxophone House” is dominated by two massive, gold saxophone-shaped columns. On the TV show, new homeowner Adanté Pointer proudly shows off the gold treble clef ornaments on the balcony railings indoors.\u003c/p>\n\u003cp>“The gold accents really make it stand out,” Pointer says appreciatively.\u003c/p>\n\u003cp>The smooth jazz vibes and bling of the Saxophone House might not be for everyone. But Pointer says it’s perfect for him.\u003c/p>\n\u003cp>“I am an attorney, and oftentimes, people come to me to make a statement on their behalf,” he says on the show. “And when you look at the outside of this home, it’s definitely a statement piece.”\u003c/p>\n\u003cp>In an interview with NPR, TV show host McBrayer says if visiting all of the homes featured in the \u003cem>Zillow Gone Wild \u003c/em>TV series taught him anything, it’s that even the wildest of homes won’t sit empty forever.\u003c/p>\n\u003cp>“For every house out there that is just head-to-toe rainbow-colored, there is going to be a buyer. For every home that is attached to the underside of a bridge, there’s going to be a buyer,” McBrayer says. “There’s a lid for every pot.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘Zillow Gone Wild’ premiered on HGTV on May 3 at 7:30 p.m.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"‘Zillow Gone Wild’ started as an Instagram account devoted to eccentric property listings. Now it's hosted by Jack McBrayer.","status":"publish","parent":0,"modified":1715018138,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":33,"wordCount":1261},"headData":{"title":"‘Zillow Gone Wild’ Review: Jack McBrayer Tours Weird Homes | KQED","description":"‘Zillow Gone Wild’ started as an Instagram account devoted to eccentric property listings. Now it's hosted by Jack McBrayer.","ogTitle":"‘Zillow Gone Wild’ Brings Wacky Real Estate Listings to HGTV","ogDescription":"","ogImgId":"","twTitle":"‘Zillow Gone Wild’ Brings Wacky Real Estate Listings to HGTV","twDescription":"","twImgId":"","socialTitle":"‘Zillow Gone Wild’ Review: Jack McBrayer Tours Weird Homes %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Zillow Gone Wild’ Brings Wacky Real Estate Listings to HGTV","datePublished":"2024-05-06T10:45:16-07:00","dateModified":"2024-05-06T10:55:38-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Chloe Veltman, NPR","nprStoryId":"1248711088","nprHtmlLink":"https://www.npr.org/2024/05/04/1248711088/zillow-gone-wild-tv-series-hgtv-max-instagram","nprRetrievedStory":"1","nprPubDate":"2024-05-04T12:00:40-04:00","nprStoryDate":"2024-05-04T12:00:40-04:00","nprLastModifiedDate":"2024-05-05T18:14:55-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2024/05/20240505_atc_zillow_gone_wild_brings_wacky_real_estate_listings_to_hgtv.mp3?d=221&size=3552280&e=1248711088&t=progseg&seg=5&p=2","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957264/zillow-gone-wild-hgtv-review-jack-mcbrayer-fun-home-listings","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2024/05/20240505_atc_zillow_gone_wild_brings_wacky_real_estate_listings_to_hgtv.mp3?d=221&size=3552280&e=1248711088&t=progseg&seg=5&p=2","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The real estate social media space is packed with influencers focusing on specific niches like \u003ca href=\"https://www.instagram.com/luxurymansions__/?hl=en\">luxury mansions\u003c/a>, \u003ca href=\"https://www.instagram.com/midcenturyhome/?hl=en\">mid-century moderns\u003c/a> or \u003ca href=\"https://www.instagram.com/cheapoldhouses/?hl=en\">inexpensive yet promising fixer-uppers\u003c/a>.\u003c/p>\n\u003cp>Within this crowded universe\u003cem>, \u003c/em>\u003ca href=\"https://www.instagram.com/zillowgonewild/?hl=en\">\u003cem>Zillow Gone Wild\u003c/em>\u003c/a> is a place to go if you’re in the market for, say, a home in Kansas City, Mo., shaped \u003ca href=\"https://www.tiktok.com/@zillowgonewild/video/7246469852041399594\">like a UFO\u003c/a>; a \u003ca href=\"https://www.tiktok.com/@zillowgonewild/video/7348164791539846446\">striking, angular residence\u003c/a> in Kalamazoo, Mich., designed in the late 1940s by Frank Lloyd Wright; or a recently built \u003ca href=\"https://www.tiktok.com/@zillowgonewild/video/7158117998404832555\">cruise ship\u003c/a> with close to 3,000 bedrooms. (Yes, there is an \u003ca href=\"https://www.zillow.com/house/royal-caribbean/\">actual Zillow listing\u003c/a> for this property.)\u003c/p>\n\u003cp>“Waking up to an ocean view in the actual ocean is the new best way to wake up,” says Samir Mezrahi, \u003cem>Zillow Gone Wild\u003c/em>‘s creator, in his deadpan TikTok commentary on this particularly mind-boggling property listing.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@zillowgonewild/video/7348164791539846446\" data-video-id=\"7348164791539846446\">\n\u003csection>\u003ca title=\"@zillowgonewild\" href=\"https://www.tiktok.com/@zillowgonewild?refer=embed\" target=\"_blank\" rel=\"noopener\">@zillowgonewild\u003c/a> Frank Lloyd Wright house for sale in Kalamazoo, MI for under $1 million!! \u003ca title=\"franklloydwright\" href=\"https://www.tiktok.com/tag/franklloydwright?refer=embed\" target=\"_blank\" rel=\"noopener\">#franklloydwright\u003c/a> \u003ca title=\"zillowgonewild\" href=\"https://www.tiktok.com/tag/zillowgonewild?refer=embed\" target=\"_blank\" rel=\"noopener\">#zillowgonewild\u003c/a> \u003ca title=\"realestate\" href=\"https://www.tiktok.com/tag/realestate?refer=embed\" target=\"_blank\" rel=\"noopener\">#realestate\u003c/a> \u003ca title=\"foryou\" href=\"https://www.tiktok.com/tag/foryou?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryou\u003c/a> \u003ca title=\"♬ Epic Music(863502) - Draganov89\" href=\"https://www.tiktok.com/music/Epic-Music-863502-6873501791145691137?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ Epic Music(863502) – Draganov89\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"tiktok","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Mezrahi’s prominent account, which has several million followers across platforms, has now been spun off into an equally wild reality \u003ca href=\"https://www.hgtv.com/shows/zillow-gone-wild\">TV show\u003c/a>. The nine-episode series premiered on HGTV Friday, and is out now on Max.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As on social media, the \u003cem>Zillow Gone Wild\u003c/em> TV show is aimed at a general audience and focuses on homes that defy everyday expectations in some way — whether visible from the outside in the architecture, or hidden inside as part of the home decor.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956737","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“It has to be something we’ve pretty much never seen before,” says Mezrahi, a former social media director at \u003cem>Buzzfeed\u003c/em>, in an interview with NPR.\u003c/p>\n\u003ch3>Setting a “wild” tone\u003c/h3>\n\u003cp>The first segment of the first episode sets the tone: Homeowner Andrew Flair shows off the converted U.S. military missile launch facility in York, Neb. The unusual property has very thick steel doors and no windows.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8qQ6fx2LIbc'\n title='//www.youtube.com/embed/8qQ6fx2LIbc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“It’s all underground, covered in concrete, and if, for some reason, a bomb goes off, you’ll be safe,” Flair says on the show.\u003c/p>\n\u003cp>And in episode three, homeowner Kitty Reign tours viewers around the \u003cem>Pirates of the Caribbean\u003c/em>-themed residence in Las Vegas she’s selling. This swashbuckler’s paradise comes with a decorative wooden helm (“Everybody plays with it!”) and a tavern (“Kind of our own little secret pirate nightclub!”)\u003c/p>\n\u003cp>Hosted by comedian Jack McBrayer, who played Kenneth in \u003cem>30 Rock\u003c/em>, the show features 24 homes from around the country either up for sale or recently sold. But only one of them will be crowned the country’s “wildest” at the end of the series, as assessed by HGTV executives. Viewers who correctly guess the winning home can enter a pool for the chance to win $25,000.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/02/103_zillow-gone-wild_ships-ahoy_interior_custom-f5c7b8593923a6ac670b75e13ac958fe69d06cc5.jpg?s=1200&c=75&f=jpeg\" alt=\"Two women in short dresses stand in the middle of a room that looks like a pirate-themed bar. They are talking to a white man, wearing basic t-shirt and blue jeans.\" width=\"1200\" height=\"848\">\u003cfigcaption class=\"wp-caption-text\">Kitty Reign and her wife, Jennifer, show host Jack McBrayer around their ‘Pirates of the Caribbean’-themed house, as seen on HGTV’s new series ‘Zillow Gone Wild.’\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>The judging criteria include creativity, commitment to a concept or theme and a quality McBrayer describes as “wackadoo.”\u003c/p>\n\u003cp>“That special thing that sets this property apart,” says McBrayer on the show. “We reward impracticality.”\u003c/p>\n\u003ch3>The growth of an American pastime\u003c/h3>\n\u003cp>Ogling real estate listings on social media has become an enormously popular American pastime in recent years. \u003cem>Saturday Night Live\u003c/em> even did \u003ca href=\"https://www.youtube.com/watch?v=yEfsaXDX0UQ\">a skit\u003c/a> about the trend in 2021. (“The pleasure you once got from sex now comes from looking at other people’s houses.”)\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yEfsaXDX0UQ'\n title='//www.youtube.com/embed/yEfsaXDX0UQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Mezrahi, who’s based in New York, says he has long made a hobby of idly browsing Zillow. He started \u003cem>Zillow Gone Wild\u003c/em> as a side project in the fall of 2020, knowing it would probably catch on. Mezrahi initially launched it only on Instagram, but soon expanded his offering to Facebook, Twitter, TikTok and a newsletter.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952549","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“It was, like, prime pandemic. Everyone’s working from home. Companies are saying you can live wherever you want,” Mezrahi says. “So people are moving, thinking about moving, or browsing Zillow just as a bored-on-your-phone thing. So I kind of felt like there was an audience of people out there that are also doing this.”\u003c/p>\n\u003cp>The rise of TV and online channels devoted to home buying and home improvement, together with the increasingly elaborate social media presence of individual real estate brokers promoting their listings, have further fed the trend.\u003c/p>\n\u003cp>“This is a time when a lot of people are thinking about where and how we want to live,” says Zillow’s home trends expert, Amanda Pendleton, in an interview with NPR. “And these social media accounts captured our imagination and redefined what a home can be.”\u003c/p>\n\u003ch3>“Wild” listings can be challenging for real estate brokers\u003c/h3>\n\u003cp>That “imagination capturing” quality is what makes \u003cem>Zillow Gone Wild\u003c/em> so compelling on TikTok and TV.\u003c/p>\n\u003cp>But when it comes to actually selling a property, eccentric architecture and festive home decor aren’t necessarily virtues.\u003c/p>\n\u003cp>“As a real estate broker, you kind of get nervous about that, because the resale value is not the greatest when you’re making it your own,” says San Francisco Bay Area-based realtor Ria Cotton in an interview with NPR. “It may not be liked by other people.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/05/02/jack-mcbrayer_zillow-gone-wild-39a4782504c66c17d993e2558052aad0bc9c8149.jpg?s=1200&c=75&f=jpeg\" alt=\"A white man smiling broadly stands on a spiral staircase with gold accents.\" width=\"1200\" height=\"900\">\u003cfigcaption class=\"wp-caption-text\">Host Jack McBrayer taking in the sights of the ‘Golden Saxophone House.’\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>While having a marketable property is preferable, Cotton admits the popularity of social media accounts like \u003cem>Zillow Gone Wild\u003c/em> shows there’s a growing appetite among homebuyers and potential homebuyers for the “wackadoo.”\u003c/p>\n\u003cp>“I think more and more people are kind of bored of the cookie-cutter way of doing things,” Cotton says.\u003c/p>\n\u003cp>Case in point: An unusual music-themed home in Berkeley, Calif., that Cotton recently brokered, featured in \u003cem>Zillow Gone Wild.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952420","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The facade of the “Saxophone House” is dominated by two massive, gold saxophone-shaped columns. On the TV show, new homeowner Adanté Pointer proudly shows off the gold treble clef ornaments on the balcony railings indoors.\u003c/p>\n\u003cp>“The gold accents really make it stand out,” Pointer says appreciatively.\u003c/p>\n\u003cp>The smooth jazz vibes and bling of the Saxophone House might not be for everyone. But Pointer says it’s perfect for him.\u003c/p>\n\u003cp>“I am an attorney, and oftentimes, people come to me to make a statement on their behalf,” he says on the show. “And when you look at the outside of this home, it’s definitely a statement piece.”\u003c/p>\n\u003cp>In an interview with NPR, TV show host McBrayer says if visiting all of the homes featured in the \u003cem>Zillow Gone Wild \u003c/em>TV series taught him anything, it’s that even the wildest of homes won’t sit empty forever.\u003c/p>\n\u003cp>“For every house out there that is just head-to-toe rainbow-colored, there is going to be a buyer. For every home that is attached to the underside of a bridge, there’s going to be a buyer,” McBrayer says. “There’s a lid for every pot.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Zillow Gone Wild’ premiered on HGTV on May 3 at 7:30 p.m.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957264/zillow-gone-wild-hgtv-review-jack-mcbrayer-fun-home-listings","authors":["byline_arts_13957264"],"programs":["arts_140"],"categories":["arts_1","arts_75","arts_990"],"tags":["arts_3945","arts_21952"],"affiliates":["arts_137"],"featImg":"arts_13957265","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.","airtime":"SAT 4pm-5pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png","officialWebsiteLink":"https://www.revealnews.org/episodes/","meta":{"site":"news","source":"npr"},"link":"/radio/program/reveal","subscribe":{"apple":"https://itunes.apple.com/us/podcast/reveal/id886009669","tuneIn":"https://tunein.com/radio/Reveal-p679597/","rss":"http://feeds.revealradio.org/revealpodcast"}},"says-you":{"id":"says-you","title":"Says You!","info":"Public radio's game show of bluff and bluster, words and whimsy. 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